Fiction

"Williams spins an immersive and compelling tale, sweeping us back to the Oxford she painted so expertly in The Dictionary of Lost Words."--Paula McLain, author of The Paris Wife

It is 1914, and as the war draws the young men of Britain away to fight, women must keep the nation running. Two of those women are Peggy and Maude, twin sisters who live on a narrow boat in Oxford and work in the bindery at the university press.

Ambitious, intelligent Peggy has been told for most of her life that her job is to bind the books, not read them--but as she folds and gathers pages, her mind wanders to the opposite side of Walton Street, where the female students of Oxford's Somerville College have a whole library at their fingertips. Maude, meanwhile, wants nothing more than what she has: to spend her days folding the pages of books in the company of the other bindery girls. She is extraordinary but vulnerable, and Peggy feels compelled to watch over her.

Then refugees arrive from the war-torn cities of Belgium, sending ripples through the Oxford community and the sisters' lives. Peggy begins to see the possibility of another future where she can educate herself and use her intellect, not just her hands. But as war and illness reshape her world, her love for a Belgian soldier--and the responsibility that comes with it--threaten to hold her back.

The Bookbinder is a story about knowledge--who creates it, who can access it, and what truths get lost in the process. Much as she did in the international bestseller The Dictionary of Lost Words, Pip Williams thoughtfully explores another rarely seen slice of history through women's eyes.

"Imagine if Patricia Highsmith had written The Secret Life of Walter Mitty and instead of heroic daydreams she gave her protagonist murderous ones--that would be Bookworm. Robin Yeatman's story is subversive, surprising, and satisfying in a way that only the best comic noir can be."--Claire Oshetsky, author of Chouette

A wickedly funny debut novel--a black comedy with a generous heart that explores the power of imagination and reading--about a woman who tries to use fiction to find her way to happiness.

Victoria is unhappily married to an ambitious and controlling lawyer consumed with his career. Burdened with overbearing in-laws, a boring dead-end job she can't seem to leave, and a best friend who doesn't seem to understand her, Victoria finds solace from the daily grind in her beloved books and the stories she makes up in her head. One day, in a favorite café, she notices an attractive man reading the same talked-about bestselling novel that she is reading. A woman yearning for her own happy ending, Victoria is sure it's fate. The handsome book lover must be her soul mate.

There's only one small problem. Victoria is already married. Frustrated, and desperate to change her life, Victoria retreats to the dark places in her mind and thinks back to all the stories she's ever read in hopes of finding a solution. She begins to fantasize about nocturnal trysts with café man, and imaginative ways (poisoned pickles were an inspired choice in Jane Smiley's A Thousand Acres) of getting rid of the dread husband.

It's all just harmless fantasy born of Victoria's fevered imagination and her books--until, one night, fiction and reality blur and suddenly it seems Victoria is about to get everything she's wished for . . . .

Working as a cook on a merchant ship, a woman comes to know and love Samsa, a woman who gives her the nickname "Boulder." When Samsa gets a job in Reykjavik and the couple decides to move there together, Samsa decides that she wants to have a child. She is already forty and can't bear to let the opportunity pass her by. Boulder is less enthused, but doesn't know how to say no-and so finds herself dragged along on a journey that feels as thankless as it is alien.

With motherhood changing Samsa into a stranger, Boulder must decide where her priorities lie, and whether her yearning for freedom can truly trump her yearning for love.

Once again, Eva Baltasar demonstrates her preeminence as a chronicler of queer voices navigating a hostile world-and in prose as brittle and beautiful as an ancient saga.

A "poignantly rendered and illuminating" (The Washington Post) coming-of-age story about "the ways in which family, grief, love, queerness, and vulnerability all intersect" (Kristen Arnett, New York Times bestselling author). Perfect for fans of The Perks of Being a Wallflower and The Thirty Names of Night.

Though Owen Tanner has never met anyone else who has a chatty bird in their chest, medical forums would call him a Terror. From the moment Gail emerged between Owen's ribs, his mother knew that she had to hide him away from the world. After a decade spent in isolation, Owen takes a brazen trip outdoors and his life is upended forever.

Suddenly, he is forced to flee the home that had once felt so confining and hide in plain sight with his uncle and cousin in Washington. There, he feels the joy of finding a family among friends; of sharing the bird in his chest and being embraced fully; of falling in love and feeling the devastating heartbreak of rejection before finding a spark of happiness in the most unexpected place; of living his truth regardless of how hard the thieves of joy may try to tear him down. But the threat of the Army of Acronyms is a constant, looming presence, making Owen wonder if he'll ever find a way out of the cycle of fear.

"An honest celebration of life and everything we need right now in a book" (Andrew Sean Greer, Pulitzer Prize-winning author), The Boy with a Bird in His Chest grapples with the fear, depression, and feelings of isolation that come with believing that we will never be loved for who we truly are and learning to live fully and openly regardless.

An "exquisite...too lovely to bear" (The New York Times Book Review) debut novel from an award-winning writer: a playful and daring tale about a teenage ghost who falls in love with the writer George Sands.

In 1473, fourteen-year-old Blanca dies in a hilltop monastery in Mallorca. Nearly four hundred years later, when George Sand, her two children, and her lover Frederic Chopin arrive in the village, Blanca is still there: a spirited, funny, righteous ghost, she's been hanging around the monastery since her accidental death, spying on the monks and the townspeople and keeping track of her descendants.

Blanca is enchanted the moment she sees George, and the magical novel unfolds as a story of deeply felt, unrequited longing--a teenage ghost pining for a woman who can't see her and doesn't know she exists. As George and Chopin, who wear their unconventionality, in George's case, literally on their sleeves, find themselves in deepening trouble with the provincial, 19th-century villagers, Blanca watches helplessly and reflects on the circumstances of her own death (which involved an ill-advised love affair with a monk-in-training).

Charming, original, and emotionally moving, this "deeply wild debut follows the unconventional love triangle" (Cosmopolitan) between George, Chopin, and Blanca--a gorgeous and surprising exploration of artistry, desire, and life after death.

After years of severed communication, Justin appears on his sister's doorstep needing a place to stay. The home he's made for himself has collapsed, as has everything else in his life. When they were children, Willa played the role of her brother's protector, but now, afraid of the chaos he might bring, she's reluctant to let him in.

Willa lives a carefully ordered life working as a nurse and making ornate dioramas in her spare time. As Justin tries to connect with the people she's closest to--her landlord, her boyfriend, their mother--she begins to feel exposed. Willa and Justin's relationship has always been strained yet loving, frustrating and close. But it hits a new breaking point when Justin spirals out of control, unable to manage his sobriety and the sustained effects of a brain injury.

Years earlier, in high school, desperate to escape his home life and his disapproving, troubled mother, Justin falls into the hands of his first lover, a slightly older boy living on his own who offers Justin some semblance of intimacy and refuge. When Justin's boyfriend commits a terrifying act of violence, the two flee on a doomed road trip, a journey that will damage Justin and change his and his family's lives forever.

Weaving together these two timelines, Brother & Sister Enter the Forest unravels the thread of a young man's trauma and the love waiting for him on the other side.

A NATIONAL BOOK CRITICS CIRCLE NOMINEE

"An extraordinary work that will stand as blazing witness to the age that bore it." -- Sarah Perry

A "masterpiece" (Daisy Johnson) of mortality, passion, and human connection, set against the backdrop of a deadly global virus--from the Booker-nominated writer

You were the last one here, before I closed the door of Burntcoat. Before we all closed our doors . . .

In an unnamed British city, the virus is spreading, and like everyone else, the celebrated sculptor Edith Harkness retreats inside. She isolates herself in her immense studio, Burntcoat, with Halit, the lover she barely knows. As life outside changes irreparably, inside Burntcoat, Edith and Halit find themselves changed as well: by the histories and responsibilities each carries and bears, by the fears and dangers of the world outside, and by the progressions of their new relationship. And Burntcoat will be transformed, too, into a new and feverish world, a place in which Edith comes to an understanding of how we survive the impossible--and what is left after we have.

A sharp and stunning novel of art and ambition, mortality and connection, Burntcoat is a major work from "one of our most influential short story writers" (The Guardian). It is an intimate and vital examination of how and why we create--make art, form relationships, build a life--and an urgent exploration of an unprecedented crisis, the repercussions of which are still years in the learning.

Told in a series of voices, Calling for a Blanket Dance takes us into the life of Ever Geimausaddle through the multigenerational perspectives of his family as they face myriad obstacles. His father's injury at the hands of corrupt police, his mother's struggle to hold on to her job and care for her husband, the constant resettlement of the family, and the legacy of centuries of injustice all intensify Ever's bottled-up rage. Meanwhile, all of Ever's relatives have ideas about who he is and who he should be. His Cherokee grandmother urges the family to move across Oklahoma to find security; his grandfather hopes to reunite him with his heritage through traditional gourd dances; his Kiowa cousin reminds him that he's connected to an ancestral past. And once an adult, Ever must take the strength given to him by his relatives to save not only himself but also the next generation of family.

How will this young man visualize a place for himself when the world hasn't given him a place to start with? Honest, heartbreaking, and ultimately uplifting, Calling for a Blanket Dance is the story of how Ever Geimausaddle found his way to home.

ONE of the TOP 10 BOOKS OF THE YEAR by THE NEW YORK TIMES * ENTERTAINMENT WEEKLY * SLATE* THE PHILADELPHIA INQUIRER *

Also named one of the BEST BOOKS OF THE YEAR by Vanity Fair, Time, NPR, The Guardian, Oprah Daily, Self, Vogue, The New Yorker, BBC, Vulture, and many more!

OLIVIA WILDE to direct A24's TV adaptation of THE CANDY HOUSE and A VISIT FROM THE GOON SQUAD!

From one of the most celebrated writers of our time comes an "inventive, effervescent" (Oprah Daily) novel about the memory and quest for authenticity and human connection.

The Candy House opens with the staggeringly brilliant Bix Bouton, whose company, Mandala, is so successful that he is "one of those tech demi-gods with whom we're all on a first name basis." Bix is forty, with four kids, restless, and desperate for a new idea, when he stumbles into a conversation group, mostly Columbia professors, one of whom is experimenting with downloading or "externalizing" memory. Within a decade, Bix's new technology, "Own Your Unconscious"--which allows you access to every memory you've ever had, and to share your memories in exchange for access to the memories of others--has seduced multitudes.

In the world of Egan's spectacular imagination, there are "counters" who track and exploit desires and there are "eluders," those who understand the price of taking a bite of the Candy House. Egan introduces these characters in an astonishing array of narrative styles--from omniscient to first person plural to a duet of voices, an epistolary chapter, and a chapter of tweets. Intellectually dazzling, The Candy House is also a moving testament to the tenacity and transcendence of human longing for connection, family, privacy, and love.

"A beautiful exploration of loss, memory, and history" (San Francisco Chronicle), "this is minimalist maximalism. It's as if Egan compressed a big 19th-century novel onto a flash drive" (The New York Times).

"Aquino's debut novel explores complex ideas: how things that are threatening can also be attractive and whether a debt is owed to the people and places that shaped you."-- WASHINGTON POST

"I was crying like I lost my best friend as I finished. . . . This book is an act of love . . . It will break you apart and remind you that we can all be put back together again, stronger, and wiser than before." -- XOCHITL GONZALEZ, New York Times bestselling author of Olga Dies Dreaming

An emotionally riveting coming-of-age drama about two cousins lured into the underground drug trade at a young age and the inextricable ties that bind them, as one woman seeks power and the other seeks a way out--the debut of a vibrant and stunningly original new voice in fiction.

Carmen and Grace have been inseparable since they were little girls--more like sisters than cousins, survivors of a childhood marked by neglect and addiction and a system that never valued them. For too long, all they had was each other. That is, until Doña Durka swept into their lives and changed everything, taking Grace into her home, providing stability and support, and playing an outsize role in Carmen's upbringing too.

Durka is more than a beneficent force in their Bronx neighborhood, though. She's also the leader of an underground drug empire, a larger-than-life matriarch who understands the vital importance of taking what power she can in a world too often ruled by violent men. So, when Durka dies suddenly under mysterious circumstances, Carmen and Grace's lives are thrown into chaos. Grace has been primed to take over and has grand plans to expand the business. While Carmen is ready to move on--from the shadow of Durka and her high expectations and, most of all, from always looking over her shoulder in fear. She's also harboring a secret: she's pregnant and starting to show, and desperate to build a new life before the baby arrives.

But how can Carmen leave the only family she's ever known--this tight sisterhood of women known as the D. O. D., a group of lost girls turned skilled professionals under Durka's guiding hand, all bonded in their spirituality and merciless support for one another--especially now, when outside threats are circling, and Grace's plans are speeding recklessly forward?

As tough and tender as its main characters, Carmen and Grace will grab readers from the first page with its raw beauty, depth of feeling, and heart-pounding plot. A moving meditation on the choices of women and the legacy of violence, it's a devastatingly wise and intimate story about the bonds of female friendship, ambition, and found family.

"Melissa Coss Aquino brilliantly delivers a loving novel with characters you are inspired to ride or die with. . . . If you love reading novels about creative, ambitious, and relentless women who are committed to community and making a way out of no way, read this book!" -- ANGIE CRUZ, author of How Not to Drown in a Glass of Water and Dominicana

"Electric, heartrending, and exceptionally tender . . . Every sentence of Melissa Coss Aquino's debut feels acute and deliberate, a shard of glass held up to the light." -- DANYA KUKAFKA, bestselling author of Notes on an Execution

ONE OF THE BEST BOOKS OF THE YEAR: Time, NPR, PopSugar, Glamour, Reader's Digest

Carrie Soto is fierce, and her determination to win at any cost has not made her popular. But by the time she retires from tennis, she is the best player the world has ever seen. She has shattered every record and claimed twenty Grand Slam titles. And if you ask Carrie, she is entitled to every one. She sacrificed nearly everything to become the best, with her father, Javier, as her coach. A former champion himself, Javier has trained her since the age of two.

But six years after her retirement, Carrie finds herself sitting in the stands of the 1994 US Open, watching her record be taken from her by a brutal, stunning player named Nicki Chan.

At thirty-seven years old, Carrie makes the monumental decision to come out of retirement and be coached by her father for one last year in an attempt to reclaim her record. Even if the sports media says that they never liked "the Battle-Axe" anyway. Even if her body doesn't move as fast as it did. And even if it means swallowing her pride to train with a man she once almost opened her heart to: Bowe Huntley. Like her, he has something to prove before he gives up the game forever.

In spite of it all, Carrie Soto is back, for one epic final season. In this riveting and unforgettable novel, Taylor Jenkins Reid tells her most vulnerable, emotional story yet.

Shortlisted for the 2022 Gordon Burn Prize - Shortlisted for the 2022 Ned Kelly Awards - Longlisted for the 2022 Booker Prize - Longlisted for the 2022 HWA Gold Crown Award - Longlisted for the 2023 Dublin Literary Award

SELECTED BY NEW YORK TIMES AS ONE OF 100 NOTABLE BOOKS OF 2022

The Booker-shortlisted author of His Bloody Project blurs the lines between patient and therapist, fiction and documentation, and reality and dark imagination.

London, 1965. 'I have decided to write down everything that happens, because I feel, I suppose, I may be putting myself in danger, ' writes an anonymous patient, a young woman investigating her sister's suicide. In the guise of a dynamic and troubled alter-ego named Rebecca Smyth, she makes an appointment with the notorious and roughly charismatic psychotherapist Collins Braithwaite, whom she believes is responsible for her sister's death. But in this world of beguilement and bamboozlement, neither she nor we can be certain of anything.

Case Study is a novel as slippery as it is riveting, as playful as it is sinister, a meditation on truth, sanity, and the instability of identity by one of the most inventive novelists of our time.