Non-fiction

The capstone book in a trilogy from the New York Times bestselling author of How to Lead and The American Story and host of Bloomberg TV's The David Rubenstein Show--American icons and historians on the ever-evolving American experiment, featuring Ken Burns, Madeleine Albright, Wynton Marsalis, Billie Jean King, Henry Louis Gates Jr., and many more.

In this lively collection of conversations--the third in a series from David Rubenstein--some of our nations' greatest minds explore the inspiring story of America as a grand experiment in democracy, culture, innovation, and ideas.

-Jill Lepore on the promise of America
-Madeleine Albright on the American immigrant
-Ken Burns on war
-Henry Louis Gates Jr. on reconstruction
-Elaine Weiss on suffrage
-John Meacham on civil rights
-Walter Isaacson on innovation
-David McCullough on the Wright Brothers
-John Barry on pandemics and public health
-Wynton Marsalis on music
-Billie Jean King on sports
-Rita Moreno on film

Exploring the diverse make-up of our country's DNA through interviews with Pulitzer Prize-winning historians, diplomats, music legends, and sports giants, The American Experiment captures the dynamic arc of a young country reinventing itself in real-time. Through these enlightening conversations, the American spirit comes alive, revealing the setbacks, suffering, invention, ingenuity, and social movements that continue to shape our vision of what America is--and what it can be.

We all remember Oscar Wilde, but who speaks for Bosie? What about those 'bad gays' whose un-exemplary lives reveal more than we might expect? Too many popular histories seek to establish heroes, pioneers and martyrs but, as Huw Lemmey and Ben Miller argue, the past is filled with queer people whose sexualities and dastardly deeds have been overlooked.

Based on the hugely popular podcast series, Bad Gays subverts the notion of gay icons and queer heroes and asks what we can learn about LGBTQ+ history, sexuality and identity through its villains and baddies. From the Emperor Hadrian to anthropologist Margaret Mead and notorious gangster Ronnie Kray, the authors excavate the buried history of queer lives. This includes kings, fascist thugs such as Nazi founder Ernst Rohm, artists, and debauched bon viveurs.

- Hadrian
- Aretino
- James I and VI
- Frederick the Great
- Jack Saul
- Roger Casement
- Lawrence of Arabia
- The Bad Gays of Weimar
- Margaret Mead
- J. Edgar Hoover and Roy Cohn
- Yukio Mishima
- Philip Johnson
- Ronnie Kray
- Pim Fortuyn

Together these amazing life stories expand and challenge the mainstream assumptions of sexual identity. They show that homosexuality itself was an idea that emerged in the nineteenth century and that its interpretation has been central to major historical moments of conflict from the ruptures of Weimar Republic to red-baiting in Cold War America.

Bad Gays is a passionate argument for rethinking gay politics beyond questions of identity and the search for solidarity across boundaries.

To understand why the shadow of slavery still haunts society today, we must not only look at what slavery was, but also the unfinished way it ended. One may think of "emancipation" as a finale, leading to a new age of human rights and universal freedoms. But in reality, emancipations everywhere were incomplete. In Black Ghost of Empire, acclaimed historian and professor Kris Manjapra identifies five types of emancipation--explaining them in chronological order--along with the lasting impact these transitions had on formerly enslaved groups around the Atlantic.

Beginning in 1770s and concluding in 1880s, different kinds of emancipation processes took place across the Atlantic world. These included the Gradual Emancipations of North America, the Revolutionary Emancipation of Haiti, the Compensated Emancipations of European overseas empires, the War Emancipation of the American South, and the Conquest Emancipations that swept across Sub-Saharan Africa. Tragically, despite a century of abolitions and emancipations, systems of social bondage persisted and reconfigured. We still live with these unfinished endings today. In practice, all the slavery emancipations that have ever taken place reenacted racial violence against Black communities, and reaffirmed commitment to white supremacy. The devil lurked in the details of the five emancipation processes, none of which required atonement for wrongs committed, or restorative justice for the people harmed.

Manjapra shows how, amidst this unfinished history, grassroots Black organizers and activists have become custodians of collective recovery and remedy; not only for our present, but also for our relationship with the past.

Timely, lucid, and crucial to our understanding of the ongoing "anti-mattering" of Black people, Black Ghost of Empire shines a light into the deep gap between the idea of slavery's end and its actual perpetuation in various forms--exposing the shadows that linger to this day.

"Walker has opened up a fresh way of thinking about the intellectual history of the South during the civil-rights movement."--Robert Greene, The Nation

In this dramatic reexamination of the Jim Crow South, Anders Walker demonstrates that racial segregation fostered not simply terror and violence, but also diversity, one of our most celebrated ideals. He investigates how prominent intellectuals like Robert Penn Warren, James Baldwin, Eudora Welty, Ralph Ellison, Flannery O'Connor, and Zora Neale Hurston found pluralism in Jim Crow, a legal system that created two worlds, each with its own institutions, traditions, even cultures. The intellectuals discussed in this book all agreed that black culture was resilient, creative, and profound, brutally honest in its assessment of American history. By contrast, James Baldwin likened white culture to a "burning house," a frightening place that endorsed racism and violence to maintain dominance. Why should black Americans exchange their experience for that? Southern whites, meanwhile, saw themselves preserving a rich cultural landscape against the onslaught of mass culture and federal power, a project carried to the highest levels of American law by Supreme Court justice and Virginia native Lewis F. Powell, Jr.

Anders Walker shows how a generation of scholars and judges has misinterpreted Powell's definition of diversity in the landmark case Regents v. Bakke, forgetting its Southern origins and weakening it in the process. By resituating the decision in the context of Southern intellectual history, Walker places diversity on a new footing, independent of affirmative action but also free from the constraints currently placed on it by the Supreme Court. With great clarity and insight, he offers a new lens through which to understand the history of civil rights in the United States.

On the morning of November 4, 2019, an unassuming caravan of women and children was ambushed by masked gunmen on a desolate stretch of road in northern Mexico controlled by the Sinaloa drug cartel. Firing semi-automatic weapons, the attackers killed nine people and gravely injured five more. The victims were members of the LeBaron and La Mora communities--fundamentalist Mormons whose forebears broke from the LDS Church and settled in Mexico when their religion outlawed polygamy in the late nineteenth century. The massacre produced international headlines for weeks, and prompted President Donald Trump to threaten to send in the US Army.

In The Colony, bestselling investigative journalist Sally Denton picks up where the initial, incomplete reporting on the attacks ended, and delves into the complex story of the LeBaron clan. Their homestead--Colonia LeBaron--is a portal into the past, a place that offers a glimpse of life within a polygamous community on an arid and dangerous frontier in the mid-1800s, though with smartphones and machine guns. Rooting her narrative in written sources as well as interviews with anonymous women from LeBaron itself, Denton unfolds an epic, disturbing tale that spans the first polygamist emigrations to Mexico through the LeBarons' internal blood feud in the 1970s--started by Ervil LeBaron, known as the "Mormon Manson"--and up to the family's recent alliance with the NXIVM sex cult, whose now-imprisoned leader, Keith Raniere, may have based his practices on the society he witnessed in Colonia LeBaron.

The LeBarons' tense but peaceful interactions with Sinaloa deteriorated in the years leading up to the ambush. LeBaron patriarchs believed they were deliberately targeted by the cartel. Others suspected that local farmers had carried out the attacks in response to the LeBarons' seizure of water rights for their massive pecan orchards. As Denton approaches answers to who committed the murders, and why, The Colony transforms into something more than a crime story. A descendant of polygamist Mormons herself, Denton explores what drove so many women over generations to join or remain in a community based on male supremacy and female servitude. Then and now, these women of Zion found themselves in an isolated desert, navigating the often-mysterious complications of plural marriage--and supported, Denton shows, only by one another.

A mesmerizing feat of investigative journalism, The Colony doubles as an unforgettable account of sisterhood that can flourish in polygamist communities, against the odds.

The inspiring true story of an enslaved woman who liberated an infamous slave jail and transformed it into one of the nation's first HBCUs

In The Devil's Half Acre, New York Times bestselling author Kristen Green draws on years of research to tell the extraordinary and little-known story of young Mary Lumpkin, an enslaved woman who blazed a path of liberation for thousands. She was forced to have the children of a brutal slave trader and live on the premises of his slave jail, known as the "Devil's Half Acre." When she inherited the jail after the death of her slaveholder, she transformed it into "God's Half Acre," a school where Black men could fulfill their dreams. It still exists today as Virginia Union University, one of America's first Historically Black Colleges and Universities.

A sweeping narrative of a life in the margins of the American slave trade, The Devil's Half Acre brings Mary Lumpkin into the light. This is the story of the resilience of a woman on the path to freedom, her historic contributions, and her enduring legacy.

A powerful chronicle of the women who used their sewing skills to survive the Holocaust, stitching beautiful clothes at an extraordinary fashion workshop created within one of the most notorious WWII death camps.

At the height of the Holocaust twenty-five young inmates of the infamous Auschwitz-Birkenau concentration camp--mainly Jewish women and girls--were selected to design, cut, and sew beautiful fashions for elite Nazi women in a dedicated salon. It was work that they hoped would spare them from the gas chambers.

This fashion workshop--called the Upper Tailoring Studio--was established by Hedwig Höss, the camp commandant's wife, and patronized by the wives of SS guards and officers. Here, the dressmakers produced high-quality garments for SS social functions in Auschwitz, and for ladies from Nazi Berlin's upper crust.

Drawing on diverse sources--including interviews with the last surviving seamstress--The Dressmakers of Auschwitz follows the fates of these brave women. Their bonds of family and friendship not only helped them endure persecution, but also to play their part in camp resistance. Weaving the dressmakers' remarkable experiences within the context of Nazi policies for plunder and exploitation, historian Lucy Adlington exposes the greed, cruelty, and hypocrisy of the Third Reich and offers a fresh look at a little-known chapter of World War II and the Holocaust.

In the days and months after Pearl Harbor, the lives of Japanese Americans across the continent and Hawaii were changed forever. In this unforgettable chronicle of war-time America and the battlefields of Europe, Daniel James Brown portrays the journey of Rudy Tokiwa, Fred Shiosaki, and Kats Miho, who volunteered for the 442nd Regimental Combat Team and were deployed to France, Germany, and Italy, where they were asked to do the near impossible. Brown also tells the story of these soldiers' parents, immigrants who were forced to submit to life in concentration camps on U.S. soil. Woven throughout is the chronicle of Gordon Hirabayashi, one of a cadre of patriotic resisters who stood up against their government in defense of their own rights. Whether fighting on battlefields or in courtrooms, these were Americans under unprecedented strain, doing what Americans do best--striving, resisting, pushing back, rising up, standing on principle, laying down their lives, and enduring.

FINALIST FOR THE ANDREW CARNEGIE MEDAL - NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Washington Post, Town & Country, Ms. magazine, BookPage, She Reads, BookRiot, Booklist - "A vital addition to [the] curriculum on race in America . . . a gateway to the solo works of all the voices in Kendi and Blain's impressive choir."--The Washington Post

"From journalist Hannah P. Jones on Jamestown's first slaves to historian Annette Gordon-Reed's portrait of Sally Hemings to the seductive cadences of poets Jericho Brown and Patricia Smith, Four Hundred Souls weaves a tapestry of unspeakable suffering and unexpected transcendence."--O: The Oprah Magazine

The story begins in 1619--a year before the Mayflower--when the White Lion disgorges "some 20-and-odd Negroes" onto the shores of Virginia, inaugurating the African presence in what would become the United States. It takes us to the present, when African Americans, descendants of those on the White Lion and a thousand other routes to this country, continue a journey defined by inhuman oppression, visionary struggles, stunning achievements, and millions of ordinary lives passing through extraordinary history.

Four Hundred Souls is a unique one-volume "community" history of African Americans. The editors, Ibram X. Kendi and Keisha N. Blain, have assembled ninety brilliant writers, each of whom takes on a five-year period of that four-hundred-year span. The writers explore their periods through a variety of techniques: historical essays, short stories, personal vignettes, and fiery polemics. They approach history from various perspectives: through the eyes of towering historical icons or the untold stories of ordinary people; through places, laws, and objects. While themes of resistance and struggle, of hope and reinvention, course through the book, this collection of diverse pieces from ninety different minds, reflecting ninety different perspectives, fundamentally deconstructs the idea that Africans in America are a monolith--instead it unlocks the startling range of experiences and ideas that have always existed within the community of Blackness.

This is a history that illuminates our past and gives us new ways of thinking about our future, written by the most vital and essential voices of our present.

Award-winning author Linda LeGarde Grover interweaves family and Ojibwe history with stories from Misaabekong (the place of the giants) on Lake Superior

Long before there was a Duluth, Minnesota, the massive outcropping that divides the city emerged from the ridge of gabbro rock running along the westward shore of Lake Superior. A great westward migration carried the Ojibwe people to this place, the Point of Rocks. Against this backdrop--Misaabekong, the place of the giants--the lives chronicled in Linda LeGarde Grover's book unfold, some in myth, some in long-ago times, some in an imagined present, and some in the author's family history, all with a deep and tenacious bond to the land, one another, and the Ojibwe culture.

Within the larger history, Grover tells the story of her ancestors' arrival at the American Fur Post in far western Duluth more than two hundred years ago. Their fortunes and the family's future are inextricably entwined with tales of marriages to voyageurs, relocations to reservation lands, encounters with the spirits of the lake and wood creatures, the renewal of life--in myth and in art, the search for meaning in the transformations of our day is always vital. Finally, in one man's struggles, age-old tribulations, the intergenerational traumas of extended families and communities, and a uniquely Ojibwe appreciation for the natural and spiritual worlds converge, forging the Ojibwe worldview and will to survive as his legacy to his descendants.

Blending the seen and unseen, the old and the new, the amusing and the tragic and the hauntingly familiar, this lyrical work encapsulates a way of life forever vibrant at the Point of Rocks.

How do ancient Greek myths find themselves retold and reinterpreted in cultures across the world, several millennia later? In this volume, bestselling author Richard Buxton explores the power that eight iconic Greek myths hold in the modern world. Buxton traces these stories and archetypes from their ancient forms through their transformations over time in literature, art, cinema, psychology, and politics.

Over their long lives, Greek myths have expressed a myriad of meanings: from aesthetic refinement to erotic fantasy to political power. Greek myths are an integral part of a broader cultural history, their changes in meaning signifying major shifts in art and society; myths that strike a resonant cultural chord in one period may fall out of fashion the next. This erudite yet accessible exploration examines how the world's most influential myths have survived to the present, and how they have shaped our ideas on everything from family and society to sexuality and culture.

As Buxton explains, each of the eight featured myths is fundamental to the way we think about ourselves and the world. The figure of Prometheus has inspired science fiction icons from Mary Shelley to Ridley Scott. The tragedy of Medea has had a profound impact on theater, feminism, and even criminology. Oedipus's influence stretches far beyond Freud. The rich visual tradition inspired by Greek myths--from pottery to paintings to popular culture --illustrates this wide-ranging, sometimes surprising study, making this book a beautiful object to own as well as a thought-provoking read.