Non-fiction

In their own voices, the full story of the women and men who struggled to make American democracy whole

With a record number of female candidates in the 2020 election and women's rights an increasingly urgent topic in the news, it's crucial that we understand the history that got us where we are now. For the first time, here is the full, definitive story of the movement for voting rights for American women, of every race, told through the voices of the women and men who lived it. Here are the most recognizable figures in the campaign for women's suffrage, like Elizabeth Cady Stanton and Susan B. Anthony, but also the black, Chinese, and American Indian women and men who were not only essential to the movement but expanded its directions and aims. Here, too, are the anti-suffragists who worried about where the country would head if the right to vote were universal. Expertly curated and introduced by scholar Susan Ware, each piece is prefaced by a headnote so that together these 100 selections by over 80 writers tell the full history of the movement--from Abigail Adams to the 1848 Declaration of Sentiments to the ratification of the Nineteenth Amendment in 1920 and the limiting of suffrage under Jim Crow. Importantly, it carries the story to 1965, and the passage of the Voting and Civil Rights Acts, which finally secured suffrage for all American women. Includes writings by Ida B. Wells, Mabel Lee, Margaret Fuller, Sojourner Truth, Frances Ellen Watkins Harper, Frederick Douglass, presidents Grover Cleveland on the anti-suffrage side and Woodrow Wilson urging passage of the Nineteenth Amendment as a wartime measure, Jane Addams, and Charlotte Perkins Gilman, among many others.

From award-winning author Paulina Bren comes the "captivating portrait" (The Wall Street Journal) of New York's most famous residential hotel--The Barbizon--and the remarkable women who lived there.

Welcome to New York's legendary hotel for women.

Liberated from home and hearth by World War I, politically enfranchised and ready to work, women arrived to take their place in the dazzling new skyscrapers of Manhattan. But they did not want to stay in uncomfortable boarding houses. They wanted what men already had--exclusive residential hotels with maid service, workout rooms, and private dining.

Built in 1927, at the height of the Roaring Twenties, the Barbizon Hotel was designed as a luxurious safe haven for the "Modern Woman" hoping for a career in the arts. Over time, it became the place to stay for any ambitious young woman hoping for fame and fortune. Sylvia Plath fictionalized her time there in The Bell Jar, and, over the years, it's almost 700 tiny rooms with matching floral curtains and bedspreads housed, among many others, Titanic survivor Molly Brown; actresses Grace Kelly, Liza Minnelli, Ali MacGraw, Jaclyn Smith; and writers Joan Didion, Gael Greene, Diane Johnson, Meg Wolitzer. Mademoiselle magazine boarded its summer interns there, as did Katharine Gibbs Secretarial School its students and the Ford Modeling Agency its young models. Before the hotel's residents were household names, they were young women arriving at the Barbizon with a suitcase and a dream.

Not everyone who passed through the Barbizon's doors was destined for success--for some, it was a story of dashed hopes--but until 1981, when men were finally let in, the Barbizon offered its residents a room of their own and a life without family obligations. It gave women a chance to remake themselves however they pleased; it was the hotel that set them free. No place had existed like it before or has since.

"Poignant and intriguing" (The New Republic), The Barbizon weaves together a tale that has, until now, never been told. It is both a vivid portrait of the lives of these young women looking for something more and a "brilliant many-layered social history of women's ambition and a rapidly changing New York through the 20th century" (The Guardian).

Following The People and the Books, which covers more than 2,500 years of highly variegated Jewish cultural expression (Robert Alter, New York Times Book Review), poet and literary critic Adam Kirsch now turns to the story of modern Jewish literature. From the vast emigration of Jews out of Eastern Europe to the Holocaust to the creation of Israel, the twentieth century transformed Jewish life. The same was true of Jewish writing: the novels, plays, poems, and memoirs of Jewish writers provided intimate access to new worlds of experience.

Kirsch surveys four themes that shaped the twentieth century in Jewish literature and culture: Europe, America, Israel, and the endeavor to reimagine Judaism as a modern faith. With discussions of major books by over thirty writers--ranging from Franz Kafka to Philip Roth, Elie Wiesel to Tony Kushner, Hannah Arendt to Judith Plaskow--he argues that literature offers a new way to think about what it means to be Jewish in the modern world. With a wide scope and diverse, original observations, Kirsch draws fascinating parallels between familiar writers and their less familiar counterparts. While everyone knows the diary of Anne Frank, for example, few outside of Israel have read the diary of Hannah Senesh. Kirsch sheds new light on the literature of the Holocaust through the work of Primo Levi, explores the emergence of America as a Jewish home through the stories of Bernard Malamud, and shows how Yehuda Amichai captured the paradoxes of Israeli identity.

An insightful and engaging work from one of America's finest literary critics (Wall Street Journal), The Blessing and the Curse brings the Jewish experience vividly to life.

A startling and gripping reexamination of the Jim Crow era, as seen through the eyes of some of the most important American writers

"Walker has opened up a fresh way of thinking about the intellectual history of the South during the civil-rights movement."--Robert Greene, The Nation

In this dramatic reexamination of the Jim Crow South, Anders Walker demonstrates that racial segregation fostered not simply terror and violence, but also diversity, one of our most celebrated ideals. He investigates how prominent intellectuals like Robert Penn Warren, James Baldwin, Eudora Welty, Ralph Ellison, Flannery O'Connor, and Zora Neale Hurston found pluralism in Jim Crow, a legal system that created two worlds, each with its own institutions, traditions, even cultures. The intellectuals discussed in this book all agreed that black culture was resilient, creative, and profound, brutally honest in its assessment of American history. By contrast, James Baldwin likened white culture to a "burning house," a frightening place that endorsed racism and violence to maintain dominance. Why should black Americans exchange their experience for that? Southern whites, meanwhile, saw themselves preserving a rich cultural landscape against the onslaught of mass culture and federal power, a project carried to the highest levels of American law by Supreme Court justice and Virginia native Lewis F. Powell, Jr.

Anders Walker shows how a generation of scholars and judges has misinterpreted Powell's definition of diversity in the landmark case Regents v. Bakke, forgetting its Southern origins and weakening it in the process. By resituating the decision in the context of Southern intellectual history, Walker places diversity on a new footing, independent of affirmative action but also free from the constraints currently placed on it by the Supreme Court. With great clarity and insight, he offers a new lens through which to understand the history of civil rights in the United States.

The story of the group of extraordinary eighteenth-century writers, artists, and thinkers who gathered weekly at a London tavern

Named one of the 10 Best Books of 2019 by the New York Times Book Review - A Publishers Weekly Best Book of 2019 - A Kirkus Best Book of 2019

"Damrosch brings the Club's redoubtable personalities--the brilliant minds, the jousting wits, the tender camaraderie--to vivid life."--New York Times Book Review

"Magnificently entertaining."--Washington Post

In 1763, the painter Joshua Reynolds proposed to his friend Samuel Johnson that they invite a few friends to join them every Friday at the Turk's Head Tavern in London to dine, drink, and talk until midnight. Eventually the group came to include among its members Edmund Burke, Adam Smith, Edward Gibbon, and James Boswell. It was known simply as "the Club."

In this captivating book, Leo Damrosch brings alive a brilliant, competitive, and eccentric cast of characters. With the friendship of the "odd couple" Samuel Johnson and James Boswell at the heart of his narrative, Damrosch conjures up the precarious, exciting, and often brutal world of late eighteenth-century Britain. This is the story of an extraordinary group of people whose ideas helped to shape their age, and our own.

"Fifty years after its first publication, Country Music USA still stands as the most authoritative history of this uniquely American art form. Here are the stories of the people who made country music into such an integral part of our nation's culture. We feel lucky to have had Bill Malone as an indispensable guide in making our PBS documentary; you should, too."--Ken Burns and Dayton Duncan, Country Music: An American Family StoryFrom reviews of previous editions: "Considered the definitive history of American country music."--Los Angeles Times"If anyone knows more about the subject than [Malone] does, God help them."--Larry McMurtry, from In a Narrow Grave"With Country Music USA, Bill Malone wrote the Bible for country music history and scholarship. This groundbreaking work, now updated, is the definitive chronicle of the sweeping drama of the country music experience."--Chet Flippo, former editorial director, CMT: Country Music Television and CMT.com"Country Music USA is the definitive history of country music and of the artists who shaped its fascinating worlds."--William Ferris, University of North Carolina at Chapel Hill, former chairman of the National Endowment for the Humanities and coeditor of the Encyclopedia of Southern CultureSince its first publication in 1968, Bill C. Malone's Country Music USA has won universal acclaim as the definitive history of American country music. Starting with the music's folk roots in the rural South, it traces country music from the early days of radio into the twenty-first century. In this fiftieth-anniversary edition, Malone, the featured historian in Ken Burns's 2019 documentary on country music, has revised every chapter to offer new information and fresh insights. Coauthor Tracey Laird tracks developments in country music in the new millennium, exploring the relationship between the current music scene and the traditions from which it emerged.

ESSENTIAL ANTIRACIST READING

"We can no longer see ourselves as minor spectators or weary watchers of history a­fter finishing this astonishing work of nonfiction." --Kiese Laymon, author of Heavy

Connor Towne O'Neill's journey onto the battlefield of white supremacy began with a visit to Selma, Alabama, in 2015. There he had a chance encounter with a group of people preparing to erect a statue to celebrate the memory of Nathan Bedford Forrest, one of the most notorious Confederate generals, a man whom Union general William Tecumseh Sherman referred to as "that devil." After that day in Selma, O'Neill, a white Northerner transplanted to the South, decided to dig deeply into the history of Forrest and other monuments to him throughout the South, which, like Confederate monuments across America, have become flashpoints in the fight against racism.

Forrest was not just a brutal general, O'Neill learned; he was a slave trader and the first Grand Wizard of the Ku Klux Klan. O'Neill encountered citizens who still hold Forrest in cult-like awe, desperate to preserve what they call their "heritage," and he also talked to others fighting to tear the monuments down. In doing so he discovered a direct line from Forrest's ugly history straight to the heart of the battles raging today all across America. The fight over Forrest reveals a larger battle, one meant to sustain white supremacy--a system that props up all white people, not just those defending the monuments. With clear-eyed passion and honest introspection, O'Neill takes readers on a journey to understand the many ways in which the Civil War, begun in 1860, has never ended.

A brilliant and provocative blend of history, reportage, and personal essay, Down Along with That Devil's Bones presents an important and eye-opening account of how we got from Appomattox to Charlottesville, and of our vital need to confront our past in order to transcend it and move toward a more just society.

Join Egyptologist Garry J. Shaw on an entertaining tour up the Nile, through a beautiful and fascinating landscape populated with a rich mythology: the stories of Horus, Isis, Osiris, and their enemies and allies in tales of vengeance, tragedy, and fantastic metamorphoses. Shaw retells these stories with his characteristic wit, and reconnects them to the temples and monuments that still stand today, offering a fresh look at the most visited sites of Egypt.

The myths of ancient Egypt have survived in fragments of ancient hymns and paintings on the walls of tombs and temples, spells inked across coffins, and stories scrawled upon scrolls. Illustrations throughout bring to life the creation of the world and the nebulous netherworld; the complicated relationships between fickle gods, powerful magicians, and pharaohs; and eternal battles on a cosmic scale.

Shaw's evocative descriptions of the ancient ruins will transport readers to another landscape--including the magnificent sites of Dendera, Tell el-Amarna, Edfu, and Thebes. At each site, they will discover which gods or goddesses were worshipped there, as well as the myths and stories that formed the backdrop to the rituals and customs of everyday life. Each chapter ends with a potted history of the site, as well as tips for visiting the ruins today. Egyptian Mythology is the perfect companion to the myths of Egypt and the gods and goddesses that shaped its ancient landscape.

A NEW YORK TIMES BESTSELLER

"Masterly. An epic story of four Japanese-American families and their sons who volunteered for military service and displayed uncommon heroism... Propulsive and gripping, in part because of Mr. Brown's ability to make us care deeply about the fates of these individual soldiers...a page-turner." - Wall Street Journal

From the #1 New York Times bestselling author of The Boys in the Boat, a gripping World War II saga of patriotism and resistance, focusing on four Japanese American men and their families, and the contributions and sacrifices that they made for the sake of the nation.

In the days and months after Pearl Harbor, the lives of Japanese Americans across the continent and Hawaii were changed forever. In this unforgettable chronicle of war-time America and the battlefields of Europe, Daniel James Brown portrays the journey of Rudy Tokiwa, Fred Shiosaki, and Kats Miho, who volunteered for the 442nd Regimental Combat Team and were deployed to France, Germany, and Italy, where they were asked to do the near impossible. Brown also tells the story of these soldiers' parents, immigrants who were forced to submit to life in concentration camps on U.S. soil. Woven throughout is the chronicle of Gordon Hirabayashi, one of a cadre of patriotic resisters who stood up against their government in defense of their own rights. Whether fighting on battlefields or in courtrooms, these were Americans under unprecedented strain, doing what Americans do best--striving, resisting, pushing back, rising up, standing on principle, laying down their lives, and enduring.

For nearly eighty years, a huge portion of coastal South Africa was closed off to the public. With many of its pits now deemed "overmined" and abandoned, American journalist Matthew Gavin Frank sets out across the infamous Diamond Coast to investigate an illicit trade that supplies a global market. Immediately, he became intrigued by the ingenious methods used in facilitating smuggling particularly, the illegal act of sneaking carrier pigeons onto mine property, affixing diamonds to their feet, and sending them into the air.

Entering Die Sperrgebiet ("The Forbidden Zone") is like entering an eerie ghost town, but Frank is surprised by the number of people willing--even eager--to talk with him. Soon he meets Msizi, a young diamond digger, and his pigeon, Bartholomew, who helps him steal diamonds. It's a deadly game: pigeons are shot on sight by mine security, and Msizi knows of smugglers who have disappeared because of their crimes. For this, Msizi blames "Mr. Lester," an evil tall-tale figure of mythic proportions.

From the mining towns of Alexander Bay and Port Nolloth, through the "halfway" desert, to Kleinzee's shores littered with shipwrecks, Frank investigates a long overlooked story. Weaving interviews with local diamond miners who raise pigeons in secret with harrowing anecdotes from former heads of security, environmental managers, and vigilante pigeon hunters, Frank reveals how these feathered bandits became outlaws in every mining town.

Interwoven throughout this obsessive quest are epic legends in which pigeons and diamonds intersect, such as that of Krishna's famed diamond Koh-i-Noor, the Mountain of Light, and that of the Cherokee serpent Uktena. In these strange connections, where truth forever tangles with the lore of centuries past, Frank is able to contextualize the personal grief that sent him, with his wife Louisa in the passenger seat, on this enlightening journey across parched lands.

Blending elements of reportage, memoir, and incantation, Flight of the Diamond Smugglers is a rare and remarkable portrait of exploitation and greed in one of the most dangerous areas of coastal South Africa. With his sovereign prose and insatiable curiosity, Matthew Gavin Frank "reminds us that the world is a place of wonder if only we look" (Toby Muse).

A work of extraordinary range and striking originality, The Gun, the Ship, and the Pen traces the global history of written constitutions from the 1750s to the twentieth century, modifying accepted narratives and uncovering the close connections between the making of constitutions and the making of war. In the process, Linda Colley both reappraises famous constitutions and recovers those that have been marginalized but were central to the rise of a modern world.

She brings to the fore neglected sites, such as Corsica, with its pioneering constitution of 1755, and tiny Pitcairn Island in the Pacific, the first place on the globe permanently to enfranchise women. She highlights the role of unexpected players, such as Catherine the Great of Russia, who was experimenting with constitutional techniques with her enlightened Nakaz decades before the Founding Fathers framed the American constitution. Written constitutions are usually examined in relation to individual states, but Colley focuses on how they crossed boundaries, spreading into six continents by 1918 and aiding the rise of empires as well as nations. She also illumines their place not simply in law and politics but also in wider cultural histories, and their intimate connections with print, literary creativity, and the rise of the novel.

Colley shows how--while advancing epic revolutions and enfranchising white males--constitutions frequently served over the long nineteenth century to marginalize indigenous people, exclude women and people of color, and expropriate land. Simultaneously, though, she investigates how these devices were adapted by peoples and activists outside the West seeking to resist European and American power. She describes how Tunisia generated the first modern Islamic constitution in 1861, quickly suppressed, but an influence still on the Arab Spring; how Africanus Horton of Sierra Leone--inspired by the American Civil War--devised plans for self-governing nations in West Africa; and how Japan's Meiji constitution of 1889 came to compete with Western constitutionalism as a model for Indian, Chinese, and Ottoman nationalists and reformers.

Vividly written and handsomely illustrated, The Gun, the Ship, and the Pen is an absorbing work that--with its pageant of formative wars, powerful leaders, visionary lawmakers and committed rebels--retells the story of constitutional government and the evolution of ideas of what it means to be modern.

Caliph Washington didn't pull the trigger but, as Officer James Cowboy Clark lay dying, he had no choice but to turn on his heel and run. The year was 1957; Cowboy Clark was white, Caliph Washington was black, and this was the Jim Crow South.

Widely lauded for its searing "insight into a history of America that can no longer be left unknown" (Washington Post), He Calls Me by Lightning is an "absorbing chronicle" (Ira Katznelson) of the forgotten life of Caliph Washington that becomes an historic portrait of racial injustice in the civil rights era. Washington, a black teenager from the vice-ridden city of Bessemer, Alabama, was wrongfully convicted of killing a white Alabama policeman in 1957 and sentenced to death. Through "meticulous research and vivid prose" (Patrick Phillips), S. Jonathan Bass reveals Washington's Kafkaesque legal odyssey: he came within minutes of the electric chair nearly a dozen times and had his conviction overturned three times before finally being released in 1972. Devastating and essential, He Calls Me by Lightning demands that we take into account the thousands of lives cast away by the systemic racism of a "social order apparently unchanged even today" (David Levering Lewis).