Non-fiction

New York Times bestselling author and Edgar Award-winner Daniel Stashower returns with American Demon, a historical true crime starring legendary lawman Eliot Ness.

Boston had its Strangler. California had the Zodiac Killer. And in the depths of the Great Depression, Cleveland had the Mad Butcher of Kingsbury Run.

On September 5th, 1934, a young beachcomber made a gruesome discovery on the shores of Cleveland's Lake Erie: the lower half of a female torso, neatly severed at the waist. The victim, dubbed "The Lady of the Lake," was only the first of a butcher's dozen. Over the next four years, twelve more bodies would be scattered across the city. The bodies were dismembered with surgical precision and drained of blood. Some were beheaded while still alive.

Terror gripped the city. Amid the growing uproar, Cleveland's besieged mayor turned to his newly-appointed director of public safety: Eliot Ness. Ness had come to Cleveland fresh from his headline-grabbing exploits in Chicago, where he and his band of "Untouchables" led the frontline assault on Al Capone's bootlegging empire. Now he would confront a case that would redefine his storied career.

Award-winning author Daniel Stashower shines a fresh light on one of the most notorious puzzles in the annals of crime, and uncovers the gripping story of Ness's hunt for a sadistic killer who was as brilliant as he was cool and composed, a mastermind who was able to hide in plain sight. American Demon reconstructs this ultimate battle of wits between a hero and a madman.

Based on the popular Wall Street Journal column, Anatomy of a Song captures the stories behind 45 influential rock, R&B, and pop hits through oral-history interviews with the artists who wrote and recorded them--including Keith Richards on Street Fighting Man, Rod Stewart on Maggie May, and more

Writer and music historian Marc Myers brings to life five decades of music in Anatomy of a Song, based on the popular ongoing Wall Street Journal column, through oral histories of forty-five transformative songs woven from interviews with the artists who created them.

Taking readers inside the making of a hit, Anatomy of a Song includes Led Zeppelin's "Whole Lotta Love," Janis Joplin's "Mercedes Benz," Rod Stewart's "Maggie May," and Cyndi Lauper's "Time After Time." Joni Mitchell remembers living in a cave on Crete with the "mean old daddy" who inspired her 1971 hit "Carey," while Elvis Costello talks about writing "(The Angels Wanna Wear My) Red Shoes" on a train to Liverpool. Keith Richards, Mick Jagger, Jimmy Page, Smokey Robinson, Grace Slick, Mavis Staples, Steven Tyler, the Clash, Merle Haggard, Bonnie Raitt, Debbie Harry, and many other leading artists reveal the inspirations, struggles, and techniques behind their influential works. Covering the history of rock, R&B, country, disco, soul, reggae and pop, Anatomy of a Song is a love letter to the songs that have defined several generations of listeners.

The instant New York Times bestseller and companion book to the PBS series.

"Absolutely brilliant . . . A necessary and moving work." --Eddie S. Glaude, Jr., author of Begin Again

"Engaging. . . . In Gates's telling, the Black church shines bright even as the nation itself moves uncertainly through the gloaming, seeking justice on earth--as it is in heaven." --Jon Meacham, New York Times Book Review

From the New York Times bestselling author of Stony the Road and one of our most important voices on the African American experience comes a powerful new history of the Black church as a foundation of Black life and a driving force in the larger freedom struggle in America.

For the young Henry Louis Gates, Jr., growing up in a small, residentially segregated West Virginia town, the church was a center of gravity--an intimate place where voices rose up in song and neighbors gathered to celebrate life's blessings and offer comfort amid its trials and tribulations. In this tender and expansive reckoning with the meaning of the Black Church in America, Gates takes us on a journey spanning more than five centuries, from the intersection of Christianity and the transatlantic slave trade to today's political landscape. At road's end, and after Gates's distinctive meditation on the churches of his childhood, we emerge with a new understanding of the importance of African American religion to the larger national narrative--as a center of resistance to slavery and white supremacy, as a magnet for political mobilization, as an incubator of musical and oratorical talent that would transform the culture, and as a crucible for working through the Black community's most critical personal and social issues.

In a country that has historically afforded its citizens from the African diaspora tragically few safe spaces, the Black Church has always been more than a sanctuary. This fact was never lost on white supremacists: from the earliest days of slavery, when enslaved people were allowed to worship at all, their meetinghouses were subject to surveillance and destruction. Long after slavery's formal eradication, church burnings and bombings by anti-Black racists continued, a hallmark of the violent effort to suppress the African American struggle for equality. The past often isn't even past--Dylann Roof committed his slaughter in the Mother Emanuel AME Church 193 years after it was first burned down by white citizens of Charleston, South Carolina, following a thwarted slave rebellion.

But as Gates brilliantly shows, the Black church has never been only one thing. Its story lies at the heart of the Black political struggle, and it has produced many of the Black community's most notable leaders. At the same time, some churches and denominations have eschewed political engagement and exemplified practices of exclusion and intolerance that have caused polarization and pain. Those tensions remain today, as a rising generation demands freedom and dignity for all within and beyond their communities, regardless of race, sex, or gender. Still, as a source of faith and refuge, spiritual sustenance and struggle against society's darkest forces, the Black Church has been central, as this enthralling history makes vividly clear.

Seven minutes past midnight on March 10, 1945, nearly 300 American B-29s thundered into the skies over Tokyo. Their payloads of incendiaries ignited a firestorm that reached up to 2,800 degrees, liquefying asphalt and vaporizing thousands; sixteen square miles of the city were flattened and more than 100,000 men, women, and children were killed.

Black Snow is the story of this devastating operation, orchestrated by Major General Curtis LeMay, who famously remarked: "If we lose the war, we'll be tried as war criminals." James M. Scott reconstructs in granular detail that horrific night, and describes the development of the B-29, the capture of the Marianas for use as airfields, and the change in strategy from high-altitude daylight "precision" bombing to low-altitude nighttime incendiary bombing. Most importantly, the raid represented a significant moral shift for America, marking the first time commanders deliberately targeted civilians which helped pave the way for the atomic bombing of Hiroshima and Nagasaki five months later.

Drawing on first-person interviews with American pilots and bombardiers and Japanese survivors, air force archives, and oral histories never before published in English, Scott delivers a harrowing and gripping account, and his most important and compelling work to date.

From the winner of the Edgar Award and the Samuel Johnson Prize, a cultural history of "everyday madness"

The Book of Phobias and Manias is a thrilling compendium of 99 obsessions that have shaped us all, the rare and the familiar, from ablutophobia (a horror of washing) to syllogomania (a compulsion to hoard) to zoophobia (a fear of animals).

Phobias and manias are deeply personal experiences, and among the most common anxiety disorders of our time, but they are also clues to our shared past. The award-winning author Kate Summerscale uses rich and riveting case studies to trace the origins of our obsessions, unearthing a history of human strangeness, from the middle ages to the present day, and a wealth of explanations for some of our most powerful aversions and desires.

A startling and gripping reexamination of the Jim Crow era, as seen through the eyes of some of the most important American writers

"Walker has opened up a fresh way of thinking about the intellectual history of the South during the civil-rights movement."--Robert Greene, The Nation

In this dramatic reexamination of the Jim Crow South, Anders Walker demonstrates that racial segregation fostered not simply terror and violence, but also diversity, one of our most celebrated ideals. He investigates how prominent intellectuals like Robert Penn Warren, James Baldwin, Eudora Welty, Ralph Ellison, Flannery O'Connor, and Zora Neale Hurston found pluralism in Jim Crow, a legal system that created two worlds, each with its own institutions, traditions, even cultures. The intellectuals discussed in this book all agreed that black culture was resilient, creative, and profound, brutally honest in its assessment of American history. By contrast, James Baldwin likened white culture to a "burning house," a frightening place that endorsed racism and violence to maintain dominance. Why should black Americans exchange their experience for that? Southern whites, meanwhile, saw themselves preserving a rich cultural landscape against the onslaught of mass culture and federal power, a project carried to the highest levels of American law by Supreme Court justice and Virginia native Lewis F. Powell, Jr.

Anders Walker shows how a generation of scholars and judges has misinterpreted Powell's definition of diversity in the landmark case Regents v. Bakke, forgetting its Southern origins and weakening it in the process. By resituating the decision in the context of Southern intellectual history, Walker places diversity on a new footing, independent of affirmative action but also free from the constraints currently placed on it by the Supreme Court. With great clarity and insight, he offers a new lens through which to understand the history of civil rights in the United States.

For Pulitzer Prize-winning historian Joseph J. Ellis, The Cause marks the culmination of a lifetime of engagement with the founding era, completing a trilogy of books that began with Founding Brothers. Here Ellis, countering popular histories that romanticize the "Spirit of '76," demonstrates through "evocative profiles of British loyalists, slaves, Native Americans and soldiers uncertain of what was being founded" (Christopher Borrelli, Chicago Tribune) that the rebels fought not for a nation but under the mantle of "The Cause," a mutable, conveniently ambiguous principle all but destined to give rise to the warring factions of later American history. Combining action-packed tales of North American military campaigns with characteristically trenchant insight, The Cause "deftly foreshadows all the issues that would complicate America's trajectory" (Richard Stengel, New York Times Book Review), forcing us to finally reconsider the story we have long told ourselves about our origins--as a people, and as a nation.

"At the intersection of his expertise and our need for coherence about our national founding arrives historian Joseph J. Ellis. . . . Ellis is no apologist, but he is a chronicler of the entire revolution, its best aspirations, its worst contradictions, and its ongoing dilemmas." --Hugh Hewitt, Washington Post

The cities of the ancient world built the foundations for modern urban life, their innovations in architecture and politics essential to cities as we know them today. But what was it like to live in Babylon, Carthage, or Teotihuacan?

From the first cities in Mesopotamia to the spectacular urban monuments of the Maya in Central America, the cities explored in Cities That Shaped the Ancient World represent almost three millennia of human history. Not only do they illustrate the highest achievement of the cultures that built them, but they also help us understand the rise and fall of these ancient peoples. In this new compact paperback, eminent historians and archaeologists with first-hand knowledge of each site give voice to these silent ruins, bringing them to life as the teeming, state-of-the-art metropolises they once were.

In 1965, five years after the capture of Adolf Eichmann in Buenos Aires, one of his Mossad abductors was sent back to South America to kill another fugitive Nazi, the so-called "butcher of Riga," Latvian Herberts Cukurs. Cukurs was shot. On his corpse, the assassins left pages from the closing speech of the chief British prosecutor at the International Military Tribunal at Nuremberg:

"After this ordeal to which mankind has been submitted, mankind itself . . . comes to this Court and cries: 'These are our laws--let them prevail!'"

Years later, the Latvian prosecutor general began investigating the possibility of redeeming Cukurs for his past actions. Researching the case, Linda Kinstler discovered that her grandfather, Boris, had served in Cukurs's killing unit and was rumored to be a double agent for the KGB. The proceedings, which might have resulted in Cukurs's pardon, threw into question supposed "facts" about the Holocaust at the precise moment its last living survivors--the last legal witnesses--were dying.

Rich with scholarly detective work and personal reflection, Come to This Court and Cry is a fearlessly brave examination of how history can become distorted over time, how easily the innocent are forgotten, and how carelessly the guilty are sometimes reprieved.

The end of World War II led to the United States' emergence as a global superpower. For war-ravaged Western Europe it marked the beginning of decades of unprecedented cooperation and prosperity that one historian has labeled "the long peace." Yet half a world away, in China, Indonesia, Vietnam, Korea, and Malaya--the fighting never really stopped, as these regions sought to completely sever the yoke of imperialism and colonialism with all-too-violent consequences.

East and Southeast Asia quickly became the most turbulent regions of the globe. Within weeks of the famous surrender ceremony aboard the U.S.S. Missouri, civil war, communal clashes, and insurgency engulfed the continent, from Southeast Asia to the Soviet border. By early 1947, full-scale wars were raging in China, Indonesia, and Vietnam, with growing guerrilla conflicts in Korea and Malaya. Within a decade after the Japanese surrender, almost all of the countries of South, East, and Southeast Asia that had formerly been conquests of the Japanese or colonies of the European powers experienced wars and upheavals that resulted in the deaths of at least 2.5 million combatants and millions of civilians.

With A Continent Erupts, acclaimed military historian Ronald H. Spector draws on letters, diaries, and international archives to provide, for the first time, a comprehensive military history and analysis of these little-known but decisive events. Far from being simply offshoots of the Cold War, as they have often been portrayed, these shockingly violent conflicts forever changed the shape of Asia, and the world as we know it today.

NEW YORK TIMES BESTSELLER - The true tale of the 1893 World's Fair in Chicago and the cunning serial killer who used the magic and majesty of the fair to lure his victims to their death.

"Relentlessly fuses history and entertainment to give this nonfiction book the dramatic effect of a novel .... It doesn't hurt that this truth is stranger than fiction." --The New York Times

Combining meticulous research with nail-biting storytelling, Erik Larson has crafted a narrative with all the wonder of newly discovered history and the thrills of the best fiction.

Two men, each handsome and unusually adept at his chosen work, embodied an element of the great dynamic that characterized America's rush toward the twentieth century. The architect was Daniel Hudson Burnham, the fair's brilliant director of works and the builder of many of the country's most important structures, including the Flatiron Building in New York and Union Station in Washington, D.C. The murderer was Henry H. Holmes, a young doctor who, in a malign parody of the White City, built his "World's Fair Hotel" just west of the fairgrounds--a torture palace complete with dissection table, gas chamber, and 3,000-degree crematorium.

Burnham overcame tremendous obstacles and tragedies as he organized the talents of Frederick Law Olmsted, Charles McKim, Louis Sullivan, and others to transform swampy Jackson Park into the White City, while Holmes used the attraction of the great fair and his own satanic charms to lure scores of young women to their deaths. What makes the story all the more chilling is that Holmes really lived, walking the grounds of that dream city by the lake.

The Devil in the White City draws the reader into the enchantment of the Guilded Age, made all the more appealing by a supporting cast of real-life characters, including Buffalo Bill, Theodore Dreiser, Susan B. Anthony, Thomas Edison, Archduke Francis Ferdinand, and others. Erik Larson's gifts as a storyteller are magnificently displayed in this rich narrative of the master builder, the killer, and the great fair that obsessed them both.

The Mexican drug trade has inspired prejudiced narratives of a war between north and south, white and brown; between noble cops and vicious kingpins, corrupt politicians and powerful cartels. In this first comprehensive history of the trade, historian Benjamin T. Smith tells the real story of how and why this one-peaceful industry turned violent. He uncovers its origins and explains how this illicit business essentially built modern Mexico, affecting everything from agriculture to medicine to economics--and the country's all-important relationship with the United States.

Drawing on unprecedented archival research; leaked DEA, Mexican law enforcement, and cartel documents; and dozens of harrowing interviews, Smith tells a thrilling story brimming with vivid characters--from Ignacia "La Nacha" Jasso, "queen pin" of Ciudad Juárez, to Dr. Leopoldo Salazar Viniegra, the crusading physician who argued that marijuana was harmless and tried to decriminalize morphine, to Harry Anslinger, the Machiavellian founder of the American Federal Bureau of Narcotics, who drummed up racist drug panics to increase his budget. Smith also profiles everyday agricultural workers, whose stories reveal both the economic benefits and the human cost of the trade.

The Dope contains many surprising conclusions about drug use and the failure of drug enforcement, all backed by new research and data. Smith explains the complicated dynamics that drive the current drug war violence, probes the U.S.-backed policies that have inflamed the carnage, and explores corruption on both sides of the border. A dark morality tale about the American hunger for intoxication and the necessities of human survival, The Dope is essential for understanding the violence in the drug war and how decades-old myths shape Mexico in the American imagination today.