Non-fiction

What began in spring 2020 as local protests in response to the killing of George Floyd by Minneapolis police quickly exploded into a massive nationwide movement. Millions of mostly young people defiantly flooded into the nation's streets, demanding an end to police brutality and to the broader, systemic repression of Black people and other people of color. To many observers, the protests appeared to be without precedent in their scale and persistence. Yet, as the acclaimed historian Elizabeth Hinton demonstrates in America on Fire, the events of 2020 had clear precursors--and any attempt to understand our current crisis requires a reckoning with the recent past.

Even in the aftermath of Donald Trump, many Americans consider the decades since the civil rights movement in the mid-1960s as a story of progress toward greater inclusiveness and equality. Hinton's sweeping narrative uncovers an altogether different history, taking us on a troubling journey from Detroit in 1967 and Miami in 1980 to Los Angeles in 1992 and beyond to chart the persistence of structural racism and one of its primary consequences, the so-called urban riot. Hinton offers a critical corrective: the word riot was nothing less than a racist trope applied to events that can only be properly understood as rebellions--explosions of collective resistance to an unequal and violent order. As she suggests, if rebellion and the conditions that precipitated it never disappeared, the optimistic story of a post-Jim Crow United States no longer holds.

Black rebellion, America on Fire powerfully illustrates, was born in response to poverty and exclusion, but most immediately in reaction to police violence. In 1968, President Lyndon Johnson launched the "War on Crime," sending militarized police forces into impoverished Black neighborhoods. Facing increasing surveillance and brutality, residents threw rocks and Molotov cocktails at officers, plundered local businesses, and vandalized exploitative institutions. Hinton draws on exclusive sources to uncover a previously hidden geography of violence in smaller American cities, from York, Pennsylvania, to Cairo, Illinois, to Stockton, California.

The central lesson from these eruptions--that police violence invariably leads to community violence--continues to escape policymakers, who respond by further criminalizing entire groups instead of addressing underlying socioeconomic causes. The results are the hugely expanded policing and prison regimes that shape the lives of so many Americans today. Presenting a new framework for understanding our nation's enduring strife, America on Fire is also a warning: rebellions will surely continue unless police are no longer called on to manage the consequences of dismal conditions beyond their control, and until an oppressive system is finally remade on the principles of justice and equality.

Based on the popular Wall Street Journal column, Anatomy of a Song captures the stories behind 45 influential rock, R&B, and pop hits through oral-history interviews with the artists who wrote and recorded them--including Keith Richards on Street Fighting Man, Rod Stewart on Maggie May, and more

Writer and music historian Marc Myers brings to life five decades of music in Anatomy of a Song, based on the popular ongoing Wall Street Journal column, through oral histories of forty-five transformative songs woven from interviews with the artists who created them.

Taking readers inside the making of a hit, Anatomy of a Song includes Led Zeppelin's "Whole Lotta Love," Janis Joplin's "Mercedes Benz," Rod Stewart's "Maggie May," and Cyndi Lauper's "Time After Time." Joni Mitchell remembers living in a cave on Crete with the "mean old daddy" who inspired her 1971 hit "Carey," while Elvis Costello talks about writing "(The Angels Wanna Wear My) Red Shoes" on a train to Liverpool. Keith Richards, Mick Jagger, Jimmy Page, Smokey Robinson, Grace Slick, Mavis Staples, Steven Tyler, the Clash, Merle Haggard, Bonnie Raitt, Debbie Harry, and many other leading artists reveal the inspirations, struggles, and techniques behind their influential works. Covering the history of rock, R&B, country, disco, soul, reggae and pop, Anatomy of a Song is a love letter to the songs that have defined several generations of listeners.

The Book of Phobias and Manias is a thrilling compendium of 99 obsessions that have shaped us all, the rare and the familiar, from ablutophobia (a horror of washing) to syllogomania (a compulsion to hoard) to zoophobia (a fear of animals).

Phobias and manias are deeply personal experiences, and among the most common anxiety disorders of our time, but they are also clues to our shared past. The award-winning author Kate Summerscale uses rich and riveting case studies to trace the origins of our obsessions, unearthing a history of human strangeness, from the middle ages to the present day, and a wealth of explanations for some of our most powerful aversions and desires.

"Walker has opened up a fresh way of thinking about the intellectual history of the South during the civil-rights movement."--Robert Greene, The Nation

In this dramatic reexamination of the Jim Crow South, Anders Walker demonstrates that racial segregation fostered not simply terror and violence, but also diversity, one of our most celebrated ideals. He investigates how prominent intellectuals like Robert Penn Warren, James Baldwin, Eudora Welty, Ralph Ellison, Flannery O'Connor, and Zora Neale Hurston found pluralism in Jim Crow, a legal system that created two worlds, each with its own institutions, traditions, even cultures. The intellectuals discussed in this book all agreed that black culture was resilient, creative, and profound, brutally honest in its assessment of American history. By contrast, James Baldwin likened white culture to a "burning house," a frightening place that endorsed racism and violence to maintain dominance. Why should black Americans exchange their experience for that? Southern whites, meanwhile, saw themselves preserving a rich cultural landscape against the onslaught of mass culture and federal power, a project carried to the highest levels of American law by Supreme Court justice and Virginia native Lewis F. Powell, Jr.

Anders Walker shows how a generation of scholars and judges has misinterpreted Powell's definition of diversity in the landmark case Regents v. Bakke, forgetting its Southern origins and weakening it in the process. By resituating the decision in the context of Southern intellectual history, Walker places diversity on a new footing, independent of affirmative action but also free from the constraints currently placed on it by the Supreme Court. With great clarity and insight, he offers a new lens through which to understand the history of civil rights in the United States.

The cities of the ancient world built the foundations for modern urban life, their innovations in architecture and politics essential to cities as we know them today. But what was it like to live in Babylon, Carthage, or Teotihuacan?

From the first cities in Mesopotamia to the spectacular urban monuments of the Maya in Central America, the cities explored in Cities That Shaped the Ancient World represent almost three millennia of human history. Not only do they illustrate the highest achievement of the cultures that built them, but they also help us understand the rise and fall of these ancient peoples. In this new compact paperback, eminent historians and archaeologists with first-hand knowledge of each site give voice to these silent ruins, bringing them to life as the teeming, state-of-the-art metropolises they once were.

It began with a secret mission, no expenses spared. Spain, plotting to break Portugal's monopoly trade with the fabled Orient, set sail from a hidden Mexican port to cross the Pacific--and then, critically, to attempt the never-before-accomplished return, the vuelta. Four ships set out from Navidad, each one carrying a dream team of navigators. The smallest ship, guided by seaman Lope Martín, a mulatto who had risen through the ranks to become one of the most qualified pilots of the era, soon pulled far ahead and became mysteriously lost from the fleet. It was the beginning of a voyage of epic scope, featuring mutiny, murderous encounters with Pacific islanders, astonishing physical hardships--and at last a triumphant return to the New World. But the pilot of the fleet's flagship, the Augustine friar mariner Andrés de Urdaneta, later caught up with Martín to achieve the vuelta as well. It was he who now basked in glory, while Lope Martín was secretly sentenced to be hanged by the Spanish crown as repayment for his services. Acclaimed historian Andrés Reséndez, through brilliant scholarship and riveting storytelling--including an astonishing outcome for the resilient Lope Martín--sets the record straight.

In the winter of 1722, on the eve of a major conference between the Five Nations of the Haudenosaunee (also known as the Iroquois) and Anglo-American colonists, a pair of colonial fur traders brutally assaulted a Seneca hunter near Conestoga, Pennsylvania. Though virtually forgotten today, the crime ignited a contest between Native American forms of justice--rooted in community, forgiveness, and reparations--and the colonial ideology of harsh reprisal that called for the accused killers to be executed if found guilty. In Covered with Night, historian Nicole Eustace reconstructs the attack and its aftermath, introducing a group of unforgettable individuals--from the slain man's resilient widow to an Indigenous diplomat known as "Captain Civility" to the scheming governor of Pennsylvania--as she narrates a remarkable series of criminal investigations and cross-cultural negotiations. Taking its title from a Haudenosaunee metaphor for mourning, Covered with Night ultimately urges us to consider Indigenous approaches to grief and condolence, rupture and repair, as we seek new avenues of justice in our own era.

NEW YORK TIMES BESTSELLER - The true tale of the 1893 World's Fair in Chicago and the cunning serial killer who used the magic and majesty of the fair to lure his victims to their death.

"Relentlessly fuses history and entertainment to give this nonfiction book the dramatic effect of a novel .... It doesn't hurt that this truth is stranger than fiction." --The New York Times

Combining meticulous research with nail-biting storytelling, Erik Larson has crafted a narrative with all the wonder of newly discovered history and the thrills of the best fiction.

Two men, each handsome and unusually adept at his chosen work, embodied an element of the great dynamic that characterized America's rush toward the twentieth century. The architect was Daniel Hudson Burnham, the fair's brilliant director of works and the builder of many of the country's most important structures, including the Flatiron Building in New York and Union Station in Washington, D.C. The murderer was Henry H. Holmes, a young doctor who, in a malign parody of the White City, built his "World's Fair Hotel" just west of the fairgrounds--a torture palace complete with dissection table, gas chamber, and 3,000-degree crematorium.

Burnham overcame tremendous obstacles and tragedies as he organized the talents of Frederick Law Olmsted, Charles McKim, Louis Sullivan, and others to transform swampy Jackson Park into the White City, while Holmes used the attraction of the great fair and his own satanic charms to lure scores of young women to their deaths. What makes the story all the more chilling is that Holmes really lived, walking the grounds of that dream city by the lake.

The Devil in the White City draws the reader into the enchantment of the Guilded Age, made all the more appealing by a supporting cast of real-life characters, including Buffalo Bill, Theodore Dreiser, Susan B. Anthony, Thomas Edison, Archduke Francis Ferdinand, and others. Erik Larson's gifts as a storyteller are magnificently displayed in this rich narrative of the master builder, the killer, and the great fair that obsessed them both.

Two celebrated Egyptologists bring to vivid life the intriguing and controversial reign of King Tut's parents.

Akhenaten has been the subject of radically different, even contradictory, biographies. The king has achieved fame as the world's first individual and the first monotheist, but others have seen him as an incestuous tyrant who nearly ruined the kingdom he ruled. The gold funerary mask of his son Tutankhamun and the painted bust of his wife Nefertiti are the most recognizable artifacts from all of ancient Egypt. But who are Akhenaten and Nefertiti? And what can we actually say about rulers who lived more than three thousand years ago?

November 2022 marks the centennial of the discovery of the tomb of Tutankhamun and although King Tut is a household name, his nine-year rule pales in comparison to the revolutionary reign of his parents. Akhenaten and Nefertiti became gods on earth by transforming Egyptian solar worship, innovating in art and urban design, and merging religion and politics in ways never attempted before.

Combining fascinating scholarship, detective suspense, and adventurous thrills, Egypt's Golden Couple is a journey through excavations, museums, hieroglyphic texts, and stunning artifacts. From clue to clue, renowned Egyptologists John and Colleen Darnell reconstruct an otherwise untold story of the magnificent reign of Akhenaten and Nefertiti.

"A brilliant and heart-wrenching book, with universal and timely lessons about the power of information -- and misinformation. Is it possible to stop mass murder by telling the truth?" -- Yuval Noah Harari, bestselling author of Sapiens: A Brief History of Humankind and Homo Deus: A Brief History of Tomorrow

A complex hero.

A forgotten story.

The first witness to reveal the full truth of the Holocaust . . .

Award-winning journalist and bestselling novelist Jonathan Freedland tells the incredible story of Rudolf Vrba--the first Jew to break out of Auschwitz, a man determined to warn the world and pass on a truth too few were willing to hear--elevating him to his rightful place in the annals of World War II alongside Anne Frank, Primo Levi, and Oskar Schindler and casting a new light on the Holocaust and its aftermath.

People won't believe what they can't imagine . . .

In April 1944, Rudolf Vrba became the first Jew to break out of Auschwitz--one of only four who ever pulled off that near-impossible feat. He did it to reveal the truth of the death camp to the world--and to warn the last Jews of Europe what fate awaited them at the end of the railway line. Against all odds, he and his fellow escapee, Fred Wetzler, climbed mountains, crossed rivers and narrowly missed German bullets until they had smuggled out the first full account of Auschwitz the world had ever seen--a forensically detailed report that would eventually reach Franklin Roosevelt, Winston Churchill and the Pope.

And yet too few heeded the warning that Vrba--then just nineteen years old--had risked everything to deliver. Some could not believe it. Others thought it easier to keep quiet. Vrba helped save 200,000 Jewish lives--but he never stopped believing it could have been so many more.

This is the story of a brilliant yet troubled man--a gifted "escape artist" who even as a teenager understand that the difference between truth and lies can be the difference between life and death, a man who deserves to take his place alongside Anne Frank, Oskar Schindler and Primo Levi as one of the handful of individuals whose stories define our understanding of the Holocaust.

In the days and months after Pearl Harbor, the lives of Japanese Americans across the continent and Hawaii were changed forever. In this unforgettable chronicle of war-time America and the battlefields of Europe, Daniel James Brown portrays the journey of Rudy Tokiwa, Fred Shiosaki, and Kats Miho, who volunteered for the 442nd Regimental Combat Team and were deployed to France, Germany, and Italy, where they were asked to do the near impossible. Brown also tells the story of these soldiers' parents, immigrants who were forced to submit to life in concentration camps on U.S. soil. Woven throughout is the chronicle of Gordon Hirabayashi, one of a cadre of patriotic resisters who stood up against their government in defense of their own rights. Whether fighting on battlefields or in courtrooms, these were Americans under unprecedented strain, doing what Americans do best--striving, resisting, pushing back, rising up, standing on principle, laying down their lives, and enduring.