Nonfiction

A dramatic expansion of a groundbreaking work of journalism, The 1619 Project: A New Origin Story offers a profoundly revealing vision of the American past and present.

In late August 1619, a ship arrived in the British colony of Virginia bearing a cargo of twenty to thirty enslaved people from Africa. Their arrival led to the barbaric and unprecedented system of American chattel slavery that would last for the next 250 years. This is sometimes referred to as the country's original sin, but it is more than that: It is the source of so much that still defines the United States.

The New York Times Magazine's award-winning "1619 Project" issue reframed our understanding of American history by placing slavery and its continuing legacy at the center of our national narrative. This new book substantially expands on that work, weaving together eighteen essays that explore the legacy of slavery in present-day America with thirty-six poems and works of fiction that illuminate key moments of oppression, struggle, and resistance. The essays show how the inheritance of 1619 reaches into every part of contemporary American society, from politics, music, diet, traffic, and citizenship to capitalism, religion, and our democracy itself.

This is a book that speaks directly to our current moment, contextualizing the systems of race and caste within which we operate today. It reveals long-glossed-over truths around our nation's founding and construction--and the way that the legacy of slavery did not end with emancipation, but continues to shape contemporary American life.

Featuring contributions from: Leslie Alexander - Michelle Alexander - Carol Anderson - Joshua Bennett - Reginald Dwayne Betts - Jamelle Bouie - Anthea Butler - Matthew Desmond - Rita Dove - Camille T. Dungy - Cornelius Eady - Eve L. Ewing - Nikky Finney - Vievee Francis - Yaa Gyasi - Forrest Hamer - Terrance Hayes - Kimberly Annece Henderson - Jeneen Interlandi - Honorée Fanonne Jeffers - Barry Jenkins - Tyehimba Jess - Martha S. Jones - Robert Jones, Jr. - A. Van Jordan - Ibram X. Kendi - Eddie Kendricks - Yusef Komunyakaa - Kevin M. Kruse - Kiese Laymon - Trymaine Lee - Jasmine Mans - Terry McMillan - Tiya Miles - Wesley Morris - Khalil Gibran Muhammad - Lynn Nottage - ZZ Packer - Gregory Pardlo - Darryl Pinckney - Claudia Rankine - Jason Reynolds - Dorothy Roberts - Sonia Sanchez - Tim Seibles - Evie Shockley - Clint Smith - Danez Smith - Patricia Smith - Tracy K. Smith - Bryan Stevenson - Nafissa Thompson-Spires - Natasha Trethewey - Linda Villarosa - Jesmyn Ward

If you like to eat your fruits and vegetables (and even if you don't!), you should value our planet's bees. Yet, because of environmental pollution, loss of green spaces, and a general disregard for the well-being of insects, humans have caused the number of bees to plummet. In the past year, the managed honeybee population of the United States has dropped 40 percent, and there has been a 25 percent decline in wild bees--figures that are alarming at best. Helping the bees is easier than you might imagine, however, as outlined in this charmingly illustrated call to action.

Here are 50 easy suggestions, along with an informative introduction, to get you started. Try cutting your lawn less frequently, buying ethical honey, and keeping your yard dark at night. You can follow easy instructions for building a bee-friendly window box or a green-roofed garden shed. Little things can make a big difference. Just ask a bee.

For thousands of years, people of all cultures have made and used clocks, from the city sundials of ancient Rome to the medieval water clocks of imperial China, hourglasses fomenting revolution in the Middle Ages, the Stock Exchange clock of Amsterdam in 1611, Enlightenment observatories in India, and the high-precision clocks circling the Earth on a fleet of GPS satellites that have been launched since 1978. Clocks have helped us navigate the world and build empires, and have even taken us to the brink of destruction. Elites have used them to wield power, make money, govern citizens, and control lives--and sometimes the people have used them to fight back.

Through the stories of twelve clocks, About Time brings pivotal moments from the past vividly to life. Historian and lifelong clock enthusiast David Rooney takes us from the unveiling of al-Jazari's castle clock in 1206, in present-day Turkey; to the Cape of Good Hope observatory at the southern tip of Africa, where nineteenth-century British government astronomers moved the gears of empire with a time ball and a gun; to the burial of a plutonium clock now sealed beneath a public park in Osaka, where it will keep time for 5,000 years.

Rooney shows, through these artifacts, how time has been imagined, politicized, and weaponized over the centuries--and how it might bring peace. Ultimately, he writes, the technical history of horology is only the start of the story. A history of clocks is a history of civilization.

"In African Icons, Baptiste engages in the hard work of unveiling the myths about the African continent to young readers . . . This is a great beginner's guide to pre-colonial Africa."
--Ibram X. Kendi, National Book Award-winning author of Stamped from the Beginning and How to Be an Antiracist

Meet ten real-life kings, queens, inventors, scholars, and visionaries who lived in Africa thousands of years ago and changed the world.

Black history began long ago with the many cultures and people of the African continent.

Through portraits of ten heroic figures, author Tracey Baptiste takes readers on a journey across Africa to meet some of the great leaders and thinkers whose vision built a continent and shaped the world.

Illustrator Hillary D. Wilson's brilliant portraits accompany each profile, along with vivid, information-filled landscapes, maps, and graphics for readers to pore over and return to again and again.

NEW YORK TIMES BESTSELLER - The "master storyteller" (San Francisco Chronicle) behind the New York Times bestseller The Spy and the Traitor uncovers the true story behind the Cold War's most intrepid female spy.

"[An] immensely exciting, fast-moving account."--The Washington Post

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Foreign Affairs - Kirkus Reviews - Library Journal

In 1942, in a quiet village in the leafy English Cotswolds, a thin, elegant woman lived in a small cottage with her three children and her husband, who worked as a machinist nearby. Ursula Burton was friendly but reserved, and spoke English with a slight foreign accent. By all accounts, she seemed to be living a simple, unassuming life. Her neighbors in the village knew little about her.

They didn't know that she was a high-ranking Soviet intelligence officer. They didn't know that her husband was also a spy, or that she was running powerful agents across Europe. Behind the facade of her picturesque life, Burton was a dedicated Communist, a Soviet colonel, and a veteran agent, gathering the scientific secrets that would enable the Soviet Union to build the bomb.

This true-life spy story is a masterpiece about the woman code-named "Sonya." Over the course of her career, she was hunted by the Chinese, the Japanese, the Nazis, MI5, MI6, and the FBI--and she evaded them all. Her story reflects the great ideological clash of the twentieth century--between Communism, Fascism, and Western democracy--and casts new light on the spy battles and shifting allegiances of our own times.

With unparalleled access to Sonya's diaries and correspondence and never-before-seen information on her clandestine activities, Ben Macintyre has conjured a page-turning history of a legendary secret agent, a woman who influenced the course of the Cold War and helped plunge the world into a decades-long standoff between nuclear superpowers.

Comics have conquered America. From our multiplexes, where Marvel and DC movies reign supreme, to our television screens, where comics-based shows like The Walking Dead have become among the most popular in cable history, to convention halls, best-seller lists, Pulitzer Prize-winning titles, and MacArthur Fellowship recipients, comics shape American culture, in ways high and low, superficial, and deeply profound.

In American Comics, Columbia professor Jeremy Dauber takes readers through their incredible but little-known history, starting with the Civil War and cartoonist Thomas Nast, creator of the lasting and iconic images of Uncle Sam and Santa Claus; the golden age of newspaper comic strips and the first great superhero boom; the moral panic of the Eisenhower era, the Marvel Comics revolution, and the underground comix movement of the 1960s and '70s; and finally into the twenty-first century, taking in the grim and gritty Dark Knights and Watchmen alongside the brilliant rise of the graphic novel by acclaimed practitioners like Art Spiegelman and Alison Bechdel.

Dauber's story shows not only how comics have changed over the decades but how American politics and culture have changed them. Throughout, he describes the origins of beloved comics, champions neglected masterpieces, and argues that we can understand how America sees itself through whose stories comics tell. Striking and revelatory, American Comics is a rich chronicle of the last 150 years of American history through the lens of its comic strips, political cartoons, superheroes, graphic novels, and more.

FEATURING...
- American Splendor - Archie - The Avengers - Kyle Baker - Batman - C. C. Beck - Black Panther - Captain America - Roz Chast - Walt Disney - Will Eisner - Neil Gaiman - Bill Gaines - Bill Griffith - Harley Quinn - Jack Kirby - Denis Kitchen - Krazy Kat - Harvey Kurtzman - Stan Lee - Little Orphan Annie - Maus - Frank Miller - Alan Moore - Mutt and Jeff - Gary Panter - Peanuts - Dav Pilkey - Gail Simone - Spider-Man - Superman - Dick Tracy - Wonder Wart-Hog - Wonder Woman - The Yellow Kid - Zap Comix
... AND MANY MORE OF YOUR FAVORITES!

Twenty years ago, when John McPhee began his journeys back and forth across the United States, he planned to describe a cross-section of North America at about the fortieth parallel and, in the process, come to an understanding not only of the science but of the style of the geologists he traveled with. Like the terrain it covers, "Annals of the Former World" tells a many-layered tale, and the reader may choose one of many paths through it, guided by twenty-five new maps and the "Narrative Table of Contents" (an essay outlining the history and structure of the project). Read sequentially, the book is an organic succession of set pieces, flashbacks, biographical sketches, and histories of the human and lithic kind; approached systematically, it can be a North American geology primer, an exploration of plate tectonics, or a study of geologic time and the development of the time scale.

How do we properly define cultural appropriation, and is it always wrong? If we can write in the voice of another, should we? And if so, what questions do we need to consider first? In Appropriate, creative writing professor Paisley Rekdal addresses a young writer to delineate how the idea of cultural appropriation has evolved--and perhaps calcified--in our political climate. What follows is a penetrating exploration of fluctuating literary power and authorial privilege, about whiteness and what we really mean by the term empathy, that examines writers from William Styron to Peter Ho Davies to Jeanine Cummins. Lucid, reflective, and astute, Appropriate presents a generous new framework for one of the most controversial subjects in contemporary literature.

In her latest book, five-time #1 New York Times bestselling author Dr. Brené Brown writes, "If we want to find the way back to ourselves and one another, we need language and the grounded confidence to both tell our stories and to be stewards of the stories that we hear. This is the framework for meaningful connection."

In Atlas of the Heart, Brown takes us on a journey through eighty-seven of the emotions and experiences that define what it means to be human. As she maps the necessary skills and an actionable framework for meaningful connection, she gives us the language and tools to access a universe of new choices and second chances--a universe where we can share and steward the stories of our bravest and most heartbreaking moments with one another in a way that builds connection.

Over the past two decades, Brown's extensive research into the experiences that make us who we are has shaped the cultural conversation and helped define what it means to be courageous with our lives. Atlas of the Heart draws on this research, as well as on Brown's singular skills as a storyteller, to show us how accurately naming an experience doesn't give the experience more power, it gives us the power of understanding, meaning, and choice.

Brown shares, "I want this book to be an atlas for all of us, because I believe that, with an adventurous heart and the right maps, we can travel anywhere and never fear losing ourselves."

Television has entertained America, television has ensorcelled America, and with the election of Donald J. Trump, television has conquered America. In Audience of One, New York Times chief television critic James Poniewozik traces the history of TV and mass media from the Reagan era to today, explaining how a volcanic, camera-hogging antihero merged with America's most powerful medium to become our forty-fifth president.

In the tradition of Neil Postman's masterpiece Amusing Ourselves to Death, Audience of One shows how American media have shaped American society and politics, by interweaving two crucial stories. The first story follows the evolution of television from the three-network era of the 20th century, which joined millions of Americans in a shared monoculture, into today's zillion-channel, Internet-atomized universe, which sliced and diced them into fractious, alienated subcultures. The second story is a cultural critique of Donald Trump, the chameleonic celebrity who courted fame, achieved a mind-meld with the media beast, and rode it to ultimate power.

Braiding together these disparate threads, Poniewozik combines a cultural history of modern America with a revelatory portrait of the most public American who has ever lived. Reaching back to the 1940s, when Trump and commercial television were born, Poniewozik illustrates how Donald became "a character that wrote itself, a brand mascot that jumped off the cereal box and entered the world, a simulacrum that replaced the thing it represented." Viscerally attuned to the media, Trump shape-shifted into a boastful tabloid playboy in the 1980s; a self-parodic sitcom fixture in the 1990s; a reality-TV "You're Fired" machine in the 2000s; and finally, the biggest role of his career, a Fox News-obsessed, Twitter-mad, culture-warring demagogue in the White House.

Poniewozik deconstructs the chaotic Age of Trump as the 24-hour TV production that it is, decoding an era when politics has become pop culture, and vice versa. Trenchant and often slyly hilarious, Audience of One is a penetrating and sobering review of the raucous, raging, farcical reality show--performed for the benefit of an insomniac, cable-news-junkie "audience of one"--that we all came to live in, whether we liked it or not.

From funny and fearless entertainment journalist Sesali Bowen, Bad Fat Black Girl combines rule-breaking feminist theory, witty and insightful personal memoir, and cutting cultural analysis for an unforgettable, genre-defining debut.

Growing up on the south side of Chicago, Sesali Bowen learned early on how to hustle, stay on her toes, and champion other Black women and femmes as she navigated Blackness, queerness, fatness, friendship, poverty, sex work, and self-love.

Her love of trap music led her to the top of hip-hop journalism, profiling game-changing artists like Megan Thee Stallion, Lizzo, and Janelle Monae.But despite all the beauty, complexity, and general badassery she saw, Bowen found none of that nuance represented in mainstream feminism. Thus, she coined Trap Feminism, a contemporary framework that interrogates where feminism meets today's hip-hop.

Bad Fat Black Girl offers a new, inclusive feminism for the modern world. Weaving together searing personal essay and cultural commentary, Bowen interrogates sexism, fatphobia, and capitalism all within the context of race and hip-hop. In the process, she continues a Black feminist legacy of unmatched sheer determination and creative resilience.

Bad bitches: this one's for you.