Nonfiction

Not so long ago, feeling intimations of mortality, Jan Morris embarked on a wholly novel literary enterprise. What began as a series of high-minded letters to her late daughter--in the style of Lord Chesterfield addressing his son--quickly transformed itself into a potpourri of mini-essays and vibrant reminiscences, organized around experiences both majestic and mundane, from traveling the world with her lifelong partner, Elizabeth, to sneezing and kissing and simply growing old.

So Allegorizings came to be, and so Morris decided that it should only be published upon her death, not because she had anything to hide but, merely, in parting. Featuring essays largely written in the early twenty-first century, Allegorizings reflects, above all, Morris's steadfast conviction that nothing is only what it seems. In fact, she observes, everything is allegory. Indeed, in Morris's telling, even life--the whole conundrum of existence--is one long, majestically impenetrable allegory.

Taking us from the separatist hippie colony of Bolinas, California, to her home country of Wales, and introducing us to Nepalese Sherpas and elderly cruise-goers alike, Morris follows the throughline of allegory throughout her works. In one essay, she lambasts the joylessness of maturity ("Maturity! Did ever a heart thrill to the sound of it, still less the meaning?") and in another, decries the nonsense of nationality. With characteristic verve, she offers odes to whistling and cursing, cats, and exclamation points. Morris's travels anchor the collection, as she revisits the iconic settings of her previous works. We join her aboard the storied Orient Express, as well as tube trains passing through the purlieus of London. So too, we hike the foothills of the Himalayas--where Morris burst onto scene with her on-the-spot reportage of the first ascent of Everest--and reflect on the picaresque allure of Tournus, a dichotomized town in France where one France, bearing all the vestiges of privilege, seems to kiss another.

Intimate and luminously wise, Allegorizings is as much a testament to the virtues of embracing life as it is a testament to its charming, indignant, and ever-surprising author. In her final work, Morris's writing is as erudite as ever, conveying a generosity of spirit "flavored by well-earned crankiness" (Vox). Though newly bereft of her company, readers will be reminded what "a good, wise, and witty companion" (Alexander McCall Smith) Morris has been to so many, for so long.

On the eve of Edafe Okporo's twenty-sixth birthday, he was awoken to a violent mob outside his window in Abuja, Nigeria. The mob threatened his life after discovering the secret Edafe had been hiding for years--that he is a gay man. Left with no other choice, he purchased a one-way plane ticket to New York City and fled for his life. Though America had always been painted to him as a land of freedom and opportunity, it was anything but when he arrived just days before the tumultuous 2016 Presidential Election.

Edafe would go on to spend the next six months at an immigration detention center in Elizabeth, New Jersey. After navigating the confusing, often draconian, US immigration and legal system, he was finally granted asylum. But he would soon realize that America is exceptionally good at keeping people locked up but is seriously lacking in integrating freed refugees into society.

Asylum is Edafe's eye-opening, thought-provoking memoir and manifesto, which documents his experiences growing up gay in Nigeria, fleeing to America, navigating the immigration system, and making a life for himself as a Black, gay immigrant. Alongside his personal story is a blaring call to action--not only for immigration reform but for a just immigration system for refugees everywhere. This book imagines a future where immigrants and asylees are treated with fairness, transparency, and compassion. It aims to help us understand that home is not just where you feel safe and welcome but also how you can make it feel safe and welcome for others.

"Sesali Bowen is poised to give Black feminism the rejuvenation it needs. Her trendsetting writing and commentary reaches across experiences and beyond respectability. I and so many Black girls still figuring out who they are in this world will gain so much from whatever she has to say."--Charlene A. Carruthers, activist and author of Unapologetic: A Black, Queer and Feminist Mandate for Radical Movements

"Sesali perfectly vocalizes the inner dialogue, and daily mantras needed to be a Bad Bitch."--Gabourey Sidibe, actor, director, and author of This is Just My Face: Try Not To Stare

"A powerful call for a more inclusive and 'real' feminism."--Publishers Weekly (starred review)

"Bowen writes from an authentic space for Black women who are often left out of feminist conversations due to respectability politics, but who are just as deserving of the same voice and liberation."--Booklist (starred review)

From funny and fearless entertainment journalist Sesali Bowen, Bad Fat Black Girl combines rule-breaking feminist theory, witty and insightful personal memoir, and cutting cultural analysis for an unforgettable, genre-defining debut.

Growing up on the south side of Chicago, Sesali Bowen learned early on how to hustle, stay on her toes, and champion other Black women and femmes as she navigated Blackness, queerness, fatness, friendship, poverty, sex work, and self-love.

Her love of trap music led her to the top of hip-hop journalism, profiling game-changing artists like Megan Thee Stallion, Lizzo, and Janelle Monae.But despite all the beauty, complexity, and general badassery she saw, Bowen found none of that nuance represented in mainstream feminism. Thus, she coined Trap Feminism, a contemporary framework that interrogates where feminism meets today's hip-hop.

Bad Fat Black Girl offers a new, inclusive feminism for the modern world. Weaving together searing personal essay and cultural commentary, Bowen interrogates sexism, fatphobia, and capitalism all within the context of race and hip-hop. In the process, she continues a Black feminist legacy of unmatched sheer determination and creative resilience.

Bad bitches: this one's for you.

"Do I have to tell you that Ronnie's got one of the greatest female rock-and-roll voices of all time? She stands alone."
--Keith Richards

Ronnie's first collaboration with producer Phil Spector, "Be My Baby," shot Ronnie and the Ronettes to stardom. No one sounded like Ronnie, with her alluring blend of innocence and knowing, but her voice would soon be silenced as Spector sequestered her behind electric gates, guard dogs, and barbed wire.

It took everything Ronnie had to escape her prisonlike marriage and wrest back control of her life, her music, and her legacy. And as shown in this edition, which includes a 2021 postscript from Ronnie, her life became proof that our challenges do not define us and there is always the potential to forge a fuller life.

In Be My Baby, the incomparable Ronnie Spector offered a whirlwind account of the ever-shifting path of an iconic artist. And, more than anything else, she gave us an inspiring tale of triumph.

#1 NEW YORK TIMES BESTSELLER - WATCH THE EMMY-NOMINATED NETFLIX ORIGINAL DOCUMENTARY - OPRAH'S BOOK CLUB PICK - NAACP IMAGE AWARD WINNER - ONE OF ESSENCE'S 50 MOST IMPACTFUL BLACK BOOKS OF THE PAST 50 YEARS

In a life filled with meaning and accomplishment, Michelle Obama has emerged as one of the most iconic and compelling women of our era. As First Lady of the United States of America--the first African American to serve in that role--she helped create the most welcoming and inclusive White House in history, while also establishing herself as a powerful advocate for women and girls in the U.S. and around the world, dramatically changing the ways that families pursue healthier and more active lives, and standing with her husband as he led America through some of its most harrowing moments. Along the way, she showed us a few dance moves, crushed Carpool Karaoke, and raised two down-to-earth daughters under an unforgiving media glare.

In her memoir, a work of deep reflection and mesmerizing storytelling, Michelle Obama invites readers into her world, chronicling the experiences that have shaped her--from her childhood on the South Side of Chicago to her years as an executive balancing the demands of motherhood and work, to her time spent at the world's most famous address. With unerring honesty and lively wit, she describes her triumphs and her disappointments, both public and private, telling her full story as she has lived it--in her own words and on her own terms. Warm, wise, and revelatory, Becoming is the deeply personal reckoning of a woman of soul and substance who has steadily defied expectations--and whose story inspires us to do the same.

In 1982, Erika Schickel was expelled from her East Coast prep school for sleeping with a teacher. She was that girl--rebellious, precocious, and macking for love. Seduced, caught, and then whisked away in the night to avoid scandal, Schickel's provocative, searing, and darkly funny memoir, The Big Hurt, explores the question, How did that girl turn out?

Schickel came of age in the 1970s, the progeny of two writers: Richard Schickel, the prominent film critic for TIME magazine, and Julia Whedon, a melancholy mid-list novelist. In the wake of her parents' ugly divorce, Erika was packed off to a bohemian boarding school in the Berkshires.

The Big Hurt tells two coming-of-age stories: one of a lost girl in a predatory world, and the other of that girl grown up, who in reckoning with her past ends up recreating it with a notorious LA crime novelist, blowing up her marriage and casting herself into the second exile of her life.

The Big Hurt looks at a legacy of shame handed down through a maternal bloodline and the cost of epigenetic trauma. It shines a light on the haute culture of 1970s Manhattan that made girls grow up too fast. It looks at the long shadow cast by great, monstrously self-absorbed literary lives and the ways in which women pin themselves like beautiful butterflies to the spreading board of male ego.

For all of his achievements, Kumlien never gained the widespread notoriety of Wisconsin naturalists John Muir, Increase Lapham, or Aldo Leopold. Kumlien did his work behind the scenes, content to spend his days in the marshes and swamps rather than in the public eye. He once wrote that he was not "cut out for pretensions and show in the world." Yet, his detailed observations of Wisconsin's natural world--including the impact of early agriculture on the environment--were hugely important to the fields of ornithology and botany. As this carefully researched and lovingly rendered biography proves, Thure Kumlien deserves to be remembered as one of Wisconsin's most influential naturalists.

As Melissa Bond raises her infant daughter and a special-needs one-year-old son, she suffers from unbearable insomnia, sleeping an hour or less each night. She loses her job as a journalist (a casualty of the 2008 recession), and her relationship with her husband grows distant. Her doctor casually prescribes benzodiazepines--a family of drugs that includes Xanax, Valium, Klonopin, Ativan--and increases her dosage on a regular basis.

Following her doctor's orders, Melissa takes the pills night after night; her body begins to shut down and she collapses while holding her infant daughter. Only then does Melissa learn that her doctor--like many doctors--has over-prescribed the medication and quitting cold turkey could lead to psychosis or fatal seizures. Benzodiazepine addiction is not well studied, and few experts know how to help Melissa as she begins the months-long process of tapering off the pills without suffering debilitating, potentially deadly consequences.

Each page thrums with the heartbeat of Melissa's struggle--how many hours has she slept? How many weeks old are her babies? How many milligrams has she taken? Her propulsive writing crescendos to a fever pitch as she fights for her health and her ability to care for her children. Lyrical and immersive, Blood Orange Night shines a light on the prescription benzodiazepine epidemic as it reaches a crisis point in this country.

"Brilliantly written, vivid, a powerful and often uncomfortable true story that deserves to be read and remembered. It beautifully captures the strength of the bond between a father and son."--Heather Morris, author of #1 New York Times bestseller The Tattooist of Auschwitz

The #1 Sunday Times bestseller--a remarkable story of the heroic and unbreakable bond between a father and son that is as inspirational as The Tattooist of Auschwitz and as mesmerizing as The Choice.

Where there is family, there is hope

In 1939, Gustav Kleinmann, a Jewish upholster from Vienna, and his sixteen-year-old son Fritz are arrested by the Gestapo and sent to Germany. Imprisoned in the Buchenwald concentration camp, they miraculously survive the Nazis' murderous brutality.

Then Gustav learns he is being sent to Auschwitz--and certain death.

For Fritz, letting his father go is unthinkable. Desperate to remain together, Fritz makes an incredible choice: he insists he must go too. To the Nazis, one death camp is the same as another, and so the boy is allowed to follow.

Throughout the six years of horror they witness and immeasurable suffering they endure as victims of the camps, one constant keeps them alive: their love and hope for the future.

Based on the secret diary that Gustav kept as well as meticulous archival research and interviews with members of the Kleinmann family, including Fritz's younger brother Kurt, sent to the United States at age eleven to escape the war, The Boy Who Followed His Father into Auschwitz is Gustav and Fritz's story--an extraordinary account of courage, loyalty, survival, and love that is unforgettable.

An Instant New York Times Bestseller
New bonus chapter

From the #1 New York Times bestselling author of Furiously Happy and Let's Pretend This Never Happened comes a deeply relatable book filled with humor and honesty about depression and anxiety.

As Jenny Lawson's hundreds of thousands of fans know, she suffers from depression. In Broken, Jenny brings readers along on her mental and physical health journey, offering heartbreaking and hilarious anecdotes along the way.

With people experiencing anxiety and depression now more than ever, Jenny humanizes what we all face in an all-too-real way, reassuring us that we're not alone and making us laugh while doing it. From the business ideas that she wants to pitch to Shark Tank to the reason why Jenny can never go back to the post office, Broken leaves nothing to the imagination in the most satisfying way. And of course, Jenny's long-suffering husband Victor--the Ricky to Jenny's Lucille Ball--is present throughout.

A treat for Jenny Lawson's already existing fans, and destined to convert new ones, Broken is a beacon of hope and a wellspring of laughter when we all need it most.

Includes photographs and illustrations

The day after Martin Luther King Jr. was assassinated in 1968, Thich Nhat Hanh wrote a heartbroken letter to their mutual friend Raphael Gould. He said: I did not sleep last night. . . . They killed Martin Luther King. They killed us. I am afraid the root of violence is so deep in the heart and mind and manner of this society. They killed him. They killed my hope. I do not know what to say. . . . He made so great an impression in me. This morning I have the impression that I cannot bear the loss.

Only a few years earlier, Thich Nhat Hanh wrote an open letter to Martin Luther King Jr. as part of his effort to raise awareness and bring peace in Vietnam. There was an unexpected outcome of Nhat Hanh's letter to King: The two men met in 1966 and 1967 and became not only allies in the peace movement, but friends. This friendship between two prophetic figures from different religions and cultures, from countries at war with one another, reached a great depth in a short period of time. Dr. King nominated Thich Nhat Hanh for the Nobel Peace Prize in 1967. He wrote: Thich Nhat Hanh is a holy man, for he is humble and devout. He is a scholar of immense intellectual capacity. His ideas for peace, if applied, would build a monument to ecumenism, to world brotherhood, to humanity.

The two men bonded over a vision of the Beloved Community: a vision described recently by Congressman John Lewis as a nation and world society at peace with itself. It was a concept each knew of because of their membership within the Fellowship of Reconciliation, an international peace organization, and that Martin Luther King Jr. had been popularizing through his work for some time. Thich Nhat Hanh, Andrus shows, took the lineage of the Beloved Community from King and carried it on after his death.

In Brothers in the Beloved Community, Marc Andrus tells the little-known story of a friendship between two giants of our time.