Nonfiction

"A son is a son until he takes a wife. A daughter's a daughter all of her life." When Jane Morgan Barry attends her mother's funeral, she steps through the church doors as a PhD in English Literature, successful businesswoman, wife, and mother. But she's also an outcast long fallen from grace; the troublesome black sheep of the family. Once the head cheerleader at her school, cheering only for the boys, and the apple of her father's eye, adult Jane has morphed into something so hideous and inflammatory it brooks a wave of averted gazes as she walks down the aisle. FEMINIST. AGAINST MY FATHER'S WILL is an intimate, bittersweet account of Jane's fight for equality and against 'eternal daughterhood': a fight that would lead to lawsuits, media attention, a strained relationship with her parents and an act so hurtful it leaves her reeling. It's also the story of Jane discovering that the greatest enemy can exist within, and that even the deepest hurts can be healed by an act of love and grace.

"Exquisitely written." --Claire Messud, Harper's Magazine

Named a Best Book of July by Buzzfeed * A Publishers Weekly Best Nonfiction 2022 Summer Read * Observer Book of the Week

By turns devastating and soaring, an ambitious memoir debut from one of Irish literature's rising stars

When Seán Hewitt meets Elias, the two fall headlong into a love story. But as Elias struggles with severe mental illness, they soon come face-to-face with crisis.

All Down Darkness Wide is a perceptive and unflinching meditation on the burden of living in a world that too often sets happiness and queer life at odds, and a tender and honest portrayal of what it's like to be caught in the undertow of a loved one's deep depression. As lives are made and unmade, this memoir asks what love can endure and what it cannot.

Delving into his own history, enlisting the ghosts of queer figures before him, Hewitt plumbs the darkness in search of answers. From a nineteenth-century cemetery in Liverpool to a sacred grotto in the Pyrenees, it is a journey of lonely discovery followed by the light of community. Haunted by the rites of Catholicism and spectres of shame, it is nevertheless marked by an insistent search for beauty.

Hewitt captures transcendent moments in nature with exquisite lyricism, honours the power of reciprocated desire and provides a master class in the incredible force of unsparing specificity. All Down Darkness Wide illuminates a path ahead for queer literature and for the literature of heartbreak, striking a piercing and resonant chord for all who trace Hewitt's dauntless footsteps.

Not so long ago, feeling intimations of mortality, Jan Morris embarked on a wholly novel literary enterprise. What began as a series of high-minded letters to her late daughter--in the style of Lord Chesterfield addressing his son--quickly transformed itself into a potpourri of mini-essays and vibrant reminiscences, organized around experiences both majestic and mundane, from traveling the world with her lifelong partner, Elizabeth, to sneezing and kissing and simply growing old.

So Allegorizings came to be, and so Morris decided that it should only be published upon her death, not because she had anything to hide but, merely, in parting. Featuring essays largely written in the early twenty-first century, Allegorizings reflects, above all, Morris's steadfast conviction that nothing is only what it seems. In fact, she observes, everything is allegory. Indeed, in Morris's telling, even life--the whole conundrum of existence--is one long, majestically impenetrable allegory.

Taking us from the separatist hippie colony of Bolinas, California, to her home country of Wales, and introducing us to Nepalese Sherpas and elderly cruise-goers alike, Morris follows the throughline of allegory throughout her works. In one essay, she lambasts the joylessness of maturity ("Maturity! Did ever a heart thrill to the sound of it, still less the meaning?") and in another, decries the nonsense of nationality. With characteristic verve, she offers odes to whistling and cursing, cats, and exclamation points. Morris's travels anchor the collection, as she revisits the iconic settings of her previous works. We join her aboard the storied Orient Express, as well as tube trains passing through the purlieus of London. So too, we hike the foothills of the Himalayas--where Morris burst onto scene with her on-the-spot reportage of the first ascent of Everest--and reflect on the picaresque allure of Tournus, a dichotomized town in France where one France, bearing all the vestiges of privilege, seems to kiss another.

Intimate and luminously wise, Allegorizings is as much a testament to the virtues of embracing life as it is a testament to its charming, indignant, and ever-surprising author. In her final work, Morris's writing is as erudite as ever, conveying a generosity of spirit "flavored by well-earned crankiness" (Vox). Though newly bereft of her company, readers will be reminded what "a good, wise, and witty companion" (Alexander McCall Smith) Morris has been to so many, for so long.

A cookbook and culinary memoir about growing up as the daughter of revered chef/restaurateur Alice Waters: a story of food, family, and the need for beauty in all aspects of life.

In this extraordinarily intimate portrait of her mother--and herself--Fanny Singer, daughter of food icon and activist Alice Waters, chronicles a unique world of food, wine, and travel; a world filled with colorful characters, mouth-watering traditions, and sumptuous feasts. Across dozens of vignettes with accompanying recipes, she shares the story of her own culinary coming of age and reveals a side of her legendary mother that has never been seen before. A charming, smart translation of Alice Waters's ideals and attitudes about food for a new generation, Always Home is a loving, often funny, unsentimental, and exquisitely written look at a life defined in so many ways by food, as well as the bond between mother and daughter.

"An eye-opening and enchanting book by one of our major scientist-explorers." --Diane Ackerman, author of The Zookeeper's Wife

Nicknamed the "Real-Life Lorax" by National Geographic, the biologist, botanist, and conservationist Meg Lowman--aka "CanopyMeg"--takes us on an adventure into the "eighth continent" of the world's treetops, along her journey as a tree scientist, and into climate action

Welcome to the eighth continent!

As a graduate student exploring the rain forests of Australia, Meg Lowman realized that she couldn't monitor her beloved leaves using any of the usual methods. So she put together a climbing kit: she sewed a harness from an old seat belt, gathered hundreds of feet of rope, and found a tool belt for her pencils and rulers. Up she went, into the trees.

Forty years later, Lowman remains one of the world's foremost arbornauts, known as the "real-life Lorax." She planned one of the first treetop walkways and helps create more of these bridges through the eighth continent all over the world.

With a voice as infectious in its enthusiasm as it is practical in its optimism, The Arbornaut chronicles Lowman's irresistible story. From climbing solo hundreds of feet into the air in Australia's rainforests to measuring tree growth in the northeastern United States, from searching the redwoods of the Pacific coast for new life to studying leaf eaters in Scotland's Highlands, from conducting a BioBlitz in Malaysia to conservation planning in India and collaborating with priests to save Ethiopia's last forests, Lowman launches us into the life and work of a field scientist, ecologist, and conservationist. She offers hope, specific plans, and recommendations for action; despite devastation across the world, through trees, we can still make an immediate and lasting impact against climate change.

A blend of memoir and fieldwork account, The Arbornaut gives us the chance to live among scientists and travel the world--even in a hot-air balloon! It is the engrossing, uplifting story of a nerdy tree climber--the only girl at the science fair--who becomes a giant inspiration, a groundbreaking, ground-defying field biologist, and a hero for trees everywhere.

Includes black-and-white illustrations

An eerily dreamlike memoir, and the first work of nonfiction by one of our most inventive novelists.

Aurelia, Aurélia begins on a boat. The author, sixteen years old, is traveling to Europe at an age when one can "try on personae like dresses." She has the confidence of a teenager cultivating her earliest obsessions--Woolf, Durrell, Bergman--sure of her maturity, sure of the life that awaits her. Soon she finds herself in a Greece far drearier than the Greece of fantasy, "climbing up and down the steep paths every morning with the real old women, looking for kindling."

Kathryn Davis's hypnotic new book is a meditation on the way imagination shapes life, and how life, as it moves forward, shapes imagination. At its center is the death of her husband, Eric. The book unfolds as a study of their marriage, its deep joys and stinging frustrations; it is also a book about time, the inexorable events that determine beginnings and endings. The preoccupations that mark Davis's fiction are recognizable here--fateful voyages, an intense sense of place, the unexpected union of the magical and the real--but the vehicle itself is utterly new.

Aurelia, Aurélia explodes the conventional bounds of memoir. It is an astonishing accomplishment.

"Sesali Bowen is poised to give Black feminism the rejuvenation it needs. Her trendsetting writing and commentary reaches across experiences and beyond respectability. I and so many Black girls still figuring out who they are in this world will gain so much from whatever she has to say."--Charlene A. Carruthers, activist and author of Unapologetic: A Black, Queer and Feminist Mandate for Radical Movements

"Sesali perfectly vocalizes the inner dialogue, and daily mantras needed to be a Bad Bitch."--Gabourey Sidibe, actor, director, and author of This is Just My Face: Try Not To Stare

"A powerful call for a more inclusive and 'real' feminism."--Publishers Weekly (starred review)

"Bowen writes from an authentic space for Black women who are often left out of feminist conversations due to respectability politics, but who are just as deserving of the same voice and liberation."--Booklist (starred review)

From funny and fearless entertainment journalist Sesali Bowen, Bad Fat Black Girl combines rule-breaking feminist theory, witty and insightful personal memoir, and cutting cultural analysis for an unforgettable, genre-defining debut.

Growing up on the south side of Chicago, Sesali Bowen learned early on how to hustle, stay on her toes, and champion other Black women and femmes as she navigated Blackness, queerness, fatness, friendship, poverty, sex work, and self-love.

Her love of trap music led her to the top of hip-hop journalism, profiling game-changing artists like Megan Thee Stallion, Lizzo, and Janelle Monae.But despite all the beauty, complexity, and general badassery she saw, Bowen found none of that nuance represented in mainstream feminism. Thus, she coined Trap Feminism, a contemporary framework that interrogates where feminism meets today's hip-hop.

Bad Fat Black Girl offers a new, inclusive feminism for the modern world. Weaving together searing personal essay and cultural commentary, Bowen interrogates sexism, fatphobia, and capitalism all within the context of race and hip-hop. In the process, she continues a Black feminist legacy of unmatched sheer determination and creative resilience.

Bad bitches: this one's for you.

"Do I have to tell you that Ronnie's got one of the greatest female rock-and-roll voices of all time? She stands alone."
--Keith Richards

Be My Baby is the behind-the-scenes story--newly updated, and with an especially timely message--of how the original bad girl of rock and roll, Ronnie Spector, survived marriage to a monster and carved out a space for herself amid the chaos of the 1960s music scene and beyond.

Ronnie's first collaboration with producer Phil Spector, "Be My Baby," shot Ronnie and the Ronettes to stardom. No one sounded like Ronnie, with her alluring blend of innocence and knowing, but her voice would soon be silenced as Spector sequestered her behind electric gates, guard dogs, and barbed wire.

It took everything Ronnie had to escape her prisonlike marriage and wrest back control of her life, her music, and her legacy. And as shown in this edition, which includes a 2021 postscript from Ronnie, her life became proof that our challenges do not define us and there is always the potential to forge a fuller life.

In Be My Baby, the incomparable Ronnie Spector offered a whirlwind account of the ever-shifting path of an iconic artist. And, more than anything else, she gave us an inspiring tale of triumph.

A NEW YORK TIMES BEST SELLER - The moving story of an undocumented child living in poverty in the richest country in the world--an incandescent debut from an astonishing new talent - A TODAY SHOW #READWITHJENNA PICK

In Chinese, the word for America, Mei Guo, translates directly to "beautiful country." Yet when seven-year-old Qian arrives in New York City in 1994 full of curiosity, she is overwhelmed by crushing fear and scarcity. In China, Qian's parents were professors; in America, her family is "illegal" and it will require all the determination and small joys they can muster to survive.

In Chinatown, Qian's parents labor in sweatshops. Instead of laughing at her jokes, they fight constantly, taking out the stress of their new life on one another. Shunned by her classmates and teachers for her limited English, Qian takes refuge in the library and masters the language through books, coming to think of The Berenstain Bears as her first American friends. And where there is delight to be found, Qian relishes it: her first bite of gloriously greasy pizza, weekly "shopping days," when Qian finds small treasures in the trash lining Brooklyn's streets, and a magical Christmas visit to Rockefeller Center--confirmation that the New York City she saw in movies does exist after all.

But then Qian's headstrong Ma Ma collapses, revealing an illness that she has kept secret for months for fear of the cost and scrutiny of a doctor's visit. As Ba Ba retreats further inward, Qian has little to hold onto beyond his constant refrain: Whatever happens, say that you were born here, that you've always lived here.

Inhabiting her childhood perspective with exquisite lyric clarity and unforgettable charm and strength, Qian Julie Wang has penned an essential American story about a family fracturing under the weight of invisibility, and a girl coming of age in the shadows, who never stops seeking the light.

NEW YORK TIMES BESTSELLER - A searing, deeply moving memoir of illness and recovery that traces one young woman's journey from diagnosis to remission to re-entry into "normal" life--from the author of the Life, Interrupted column in The New York Times

ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, The Washington Post, Bloomberg, The Rumpus, She Reads, Library Journal, Booklist - "I was immersed for the whole ride and would follow Jaouad anywhere. . . . Her writing restores the moon, lights the way as we learn to endure the unknown."--Chanel Miller, The New York Times Book Review

"Beautifully crafted . . . affecting . . . a transformative read . . . Jaouad's insights about the self, connectedness, uncertainty and time speak to all of us."--The Washington Post

In the summer after graduating from college, Suleika Jaouad was preparing, as they say in commencement speeches, to enter "the real world." She had fallen in love and moved to Paris to pursue her dream of becoming a war correspondent. The real world she found, however, would take her into a very different kind of conflict zone.

It started with an itch--first on her feet, then up her legs, like a thousand invisible mosquito bites. Next came the exhaustion, and the six-hour naps that only deepened her fatigue. Then a trip to the doctor and, a few weeks shy of her twenty-third birthday, a diagnosis: leukemia, with a 35 percent chance of survival. Just like that, the life she had imagined for herself had gone up in flames. By the time Jaouad flew home to New York, she had lost her job, her apartment, and her independence. She would spend much of the next four years in a hospital bed, fighting for her life and chronicling the saga in a column for The New York Times.

When Jaouad finally walked out of the cancer ward--after countless rounds of chemo, a clinical trial, and a bone marrow transplant--she was, according to the doctors, cured. But as she would soon learn, a cure is not where the work of healing ends; it's where it begins. She had spent the past 1,500 days in desperate pursuit of one goal--to survive. And now that she'd done so, she realized that she had no idea how to live.

How would she reenter the world and live again? How could she reclaim what had been lost? Jaouad embarked--with her new best friend, Oscar, a scruffy terrier mutt--on a 100-day, 15,000-mile road trip across the country. She set out to meet some of the strangers who had written to her during her years in the hospital: a teenage girl in Florida also recovering from cancer; a teacher in California grieving the death of her son; a death-row inmate in Texas who'd spent his own years confined to a room. What she learned on this trip is that the divide between sick and well is porous, that the vast majority of us will travel back and forth between these realms throughout our lives. Between Two Kingdoms is a profound chronicle of survivorship and a fierce, tender, and inspiring exploration of what it means to begin again.

"If I had two wishes, it would be that D. Watkins spend an entire book writing through the terrifying wonder of Black boyness in America, and for every human to read and share this book. I am shaken. Black Boy Smile changed my relationship to writing and me."―Kiese Laymon, author of Heavy and winner of the Andrew Carnegie Medal

At nine years old, D. Watkins has three concerns in life: picking his dad's Lotto numbers, keeping his Nikes free of creases, and being a man. Directly in his periphery is east Baltimore, a poverty-stricken city battling the height of the crack epidemic just hours from the nation's capital. Watkins, like many boys around him, is thrust out of childhood and into a world where manhood means surviving by slinging crack on street corners and finding oneself on the right side of pistols. For thirty years, Watkins is forced to safeguard every moment of joy he experiences or risk losing himself entirely. Now, for the first time, Watkins harnesses these moments to tell the story of how he matured into the D. Watkins we know today--beloved author, college professor, editor-at-large of Salon.com, and devoted husband and father.

Black Boy Smile lays bare Watkins's relationship with his father and his brotherhood with the boys around him. He shares candid recollections of early assaults on his body and mind and reveals how he coped using stoic silence disguised as manhood. His harrowing pursuit of redemption, written in his signature street style, pinpoints how generational hardship, left raw and unnurtured, breeds toxic masculinity. Watkins discovers a love for books, is admitted to two graduate programs, meets with his future wife, an attorney--and finds true freedom in fatherhood.

Equally moving and liberating, Black Boy Smile is D. Watkins's love letter to Black boys in concrete cities, a daring testimony that brings to life the contradictions, fears, and hopes of boys hurdling headfirst into adulthood. Black Boy Smile is a story proving that when we acknowledge the fallacies of our past, we can uncover the path toward self-discovery. Black Boy Smile is the story of a Black boy who healed.