Poetry

A landmark anthology envisioned by Tracy K. Smith, Poet Laureate of the United States

American Journal presents fifty contemporary poems that explore and celebrate our country and our lives. Poet Laureate of the United States and Pulitzer Prize winner Tracy K. Smith has gathered a remarkable chorus of voices that ring up and down the registers of American poetry. In the elegant arrangement of this anthology, we hear stories from rural communities and urban centers, laments of loss in war and in grief, experiences of immigrants, outcries at injustices, and poems that honor elders, evoke history, and praise our efforts to see and understand one another. Taking its title from a poem by Robert Hayden, the first African American appointed as Consultant in Poetry to the Library of Congress, American Journal investigates our time with curiosity, wonder, and compassion.

Among the fifty poets included are: Jericho Brown, Eduardo C. Corral, Natalie Diaz, Matthew Dickman, Mark Doty, Ross Gay, Aracelis Girmay, Joy Harjo, Terrance Hayes, Cathy Park Hong, Marie Howe, Major Jackson, Ilya Kaminsky, Robin Coste Lewis, Ada Límon, Layli Long Soldier, Erika L. Sánchez, Solmaz Sharif, Danez Smith, Susan Stewart, Mary Szybist, Natasha Trethewey, Brian Turner, Charles Wright, and Kevin Young.

In The Arrows That Choose Us, Marilyn Annucci's poems of quiet observation startle with their precision: a curmudgeonly crow trapped in a yard "opens his wing like a set of black cards"; the knife at the bottom of a dishpan is "a mute battleship gone down on its side"; Houdini is "holding his breath at the bottom of your bathtub." Metaphysical in scope, this collection offers meditations on intimacy and mortality, technology and luck. Annucci finds humor even in places of loneliness or disappointment, reminding us how "the arrows that choose us" never fail "to tear us awake."

In a review of Best American Poetry 2017, The Washington Post said, "The poems, ordered alphabetically by author, have a wonderful cohesion and flow, as if each contributes to a larger narrative about life today." The guest editor for 2018, Dana Gioia, has an unconventional poetic background. Gioia has published five volumes of poetry, served as the Chairman of the National Endowment for the Arts, and currently sits as the Poet Laureate of California, but he is also a graduate of Stanford Business School and was once a Vice President at General Foods. He has studied opera and is a published librettist, in addition to his prolific work in critical essay writing and editing literary anthologies. Having lived several lives, Gioia brings an insightful, varied, eclectic eye to this year's Best American Poetry.

With his classic essay "Can Poetry Matter?," originally run in The Atlantic in 1991, Gioia considered whether there is a place for poetry to be a part of modern American mainstream culture. Decades later, the debate continues, but Best American Poetry 2018 stands as evidence that poetry is very much present, relevant, and finding new readers.

In this quiet, clear-eyed collection, Townsend meditates on loss--childhood bereavement, depression, divorce--to arrive at the realization that it is through loss that we come to possess some of life's most profound gifts.

"The project of Alison Townsend's poetry is to chart a course through the deepest of losses--to attempt some safe passage through a lifetime's erasures. Intimate, warm and observant, this book involves us in the inscription of a life."--Mark Doty

Alison Townsend was born in Allentown, Pennsylvania, and spent her childhood in North Salem, New York. She received a B.A. at Marlboro College in Vermont, an M.A. at Claremont Graduate School in California, and an M.F.A. at Vermont College in Mont-pelier. She teaches at the University of Wisconsin, Whitewater.

From one of America's most celebrated poets, Nikki Giovanni, comes this poignant collection of poetry that celebrates the simple pleasures of everyday life and the bonds we share with those closest to us.

"This slim volume delights on every page. There are stories, imaginings, whimsy, and startling images which prove the poet's power and her command of language . . . Anyone with a love of language will be delighted with this book and the continuing publication of America's treasured poet."--San Francisco Book Review

The poetry of Nikki Giovanni has spurred movements and inspired songs, turned hearts and informed generations. She's been hailed as a healer and as a national treasure. But Giovanni's heart resides in the everyday, where family and lovers gather, friends commune, and those no longer with us are remembered. And at every gathering there is food--food as sustenance, food as aphrodisiac, food as memory. A pot of beans is flavored with her mother's sighs--this sigh part cardamom, that one the essence of clove; a lover requests a banquet as an affirmation of ongoing passion; homage is paid to the most time-honored appetizer: soup.

With Chasing Utopia, Giovanni demands that the prosaic--flowers, birdsong, winter--be seen as poetic, and reaffirms once again why she is as energetic, "remarkable" (Gwendolyn Brooks), "wonderful" (Marian Wright Edelman),"outspoken, prolific, energetic" (New York Times), and relevant as ever.