Poetry

In seventy poems bearing the same title, Terrance Hayes explores the meanings of American, of assassin, and of love in the sonnet form. Written during the first two hundred days of the Trump presidency, these poems are haunted by the country's past and future eras and errors, its dreams and nightmares. Inventive, compassionate, hilarious, melancholy, and bewildered--the wonders of this new collection are irreducible and stunning.

In The Arrows That Choose Us, Marilyn Annucci's poems of quiet observation startle with their precision: a curmudgeonly crow trapped in a yard "opens his wing like a set of black cards"; the knife at the bottom of a dishpan is "a mute battleship gone down on its side"; Houdini is "holding his breath at the bottom of your bathtub." Metaphysical in scope, this collection offers meditations on intimacy and mortality, technology and luck. Annucci finds humor even in places of loneliness or disappointment, reminding us how "the arrows that choose us" never fail "to tear us awake."

In this quiet, clear-eyed collection, Townsend meditates on loss--childhood bereavement, depression, divorce--to arrive at the realization that it is through loss that we come to possess some of life's most profound gifts.

"The project of Alison Townsend's poetry is to chart a course through the deepest of losses--to attempt some safe passage through a lifetime's erasures. Intimate, warm and observant, this book involves us in the inscription of a life."--Mark Doty

Alison Townsend was born in Allentown, Pennsylvania, and spent her childhood in North Salem, New York. She received a B.A. at Marlboro College in Vermont, an M.A. at Claremont Graduate School in California, and an M.F.A. at Vermont College in Mont-pelier. She teaches at the University of Wisconsin, Whitewater.

Rita Dove's Collected Poems 1974-2004 showcases the wide-ranging diversity that earned her a Pulitzer Prize, the position of U.S. poet laureate, a National Humanities Medal, and a National Medal of Art. Gathering thirty years and seven books, this volume compiles Dove's fresh reflections on adolescence in The Yellow House on the Corner and her irreverent musings in Museum. She sets the moving love story of Thomas and Beulah against the backdrop of war, industrialization, and the civil right struggles. The multifaceted gems of Grace Notes, the exquisite reinvention of Greek myth in the sonnets of Mother Love, the troubling rapids of recent history in On the Bus with Rosa Parks, and the homage to America's kaleidoscopic cultural heritage in American Smooth all celebrate Dove's mastery of narrative context with lyrical finesse. With the "precise, singing lines" for which the Washington Post praised her, Dove "has created fresh configurations of the traditional and the experimental" (Poetry magazine).

"Each generation of young people, it seems, is further removed from nature, from the wind that 'rubs its chin on the trees' and the ducks that 'slip through the quiet pond like raindrops.' With the grace and wisdom of a true teacher, Lorraine Ferra shows us all the way back." --Don Stap, author of A Parrot Without a Name and Letter at the End of Winter.

"These writing experiences give children (and adults) safe allowance to become quiet and tap into their inner wealth of being. I have seen miracles blossom from kids I least expected to respond. In a world of growing disquiet and alienation, this book offers us a welcomed calm and focused energy." --Judy Friesem, environmental educator, Olympic Park Institure, Port Angeles, Washington

"In a spirit of exploration, A Crow Doesn't Need a Shadow contains a series of invitations for readers to look out upon their own landscapes and to write the important themes of their lives." --Richard Harmston, Utah State Office of Education; Co-director, Utah Writing Project