Short Stories

INSTANT NEW YORK TIMES BESTSELLER

WINNER OF THE NATIONAL BOOK CRITICS CIRCLE'S JOHN LEONARD PRIZE FOR BEST FIRST BOOK

WINNER OF THE FERRO-GRUMLEY AWARD FOR LGBTQ FICTION

Named a Best Book of the Year by: New York Times * NPR * Washington Post * LA Times * Kirkus Reviews * New York Public Library * Chicago Public Library * Harper's Bazaar * TIME * Maureen Corrigan, Fresh Air * Boston Globe* The Atlantic

A vibrant story collection about Cambodian-American life--immersive and comic, yet unsparing--that offers profound insight into the intimacy of queer and immigrant communities

Seamlessly transitioning between the absurd and the tenderhearted, balancing acerbic humor with sharp emotional depth, Afterparties offers an expansive portrait of the lives of Cambodian-Americans. As the children of refugees carve out radical new paths for themselves in California, they shoulder the inherited weight of the Khmer Rouge genocide and grapple with the complexities of race, sexuality, friendship, and family.

A high school badminton coach and failing grocery store owner tries to relive his glory days by beating a rising star teenage player. Two drunken brothers attend a wedding afterparty and hatch a plan to expose their shady uncle's snubbing of the bride and groom. A queer love affair sparks between an older tech entrepreneur trying to launch a "safe space" app and a disillusioned young teacher obsessed with Moby-Dick. And in the sweeping final story, a nine-year-old child learns that his mother survived a racist school shooter.

The stories in Afterparties, "powered by So's skill with the telling detail, are like beams of wry, affectionate light, falling from different directions on a complicated, struggling, beloved American community" (George Saunders).

In Antiquities, Lloyd Wilkinson Petrie, one of the seven elderly trustees of the now-defunct (for thirty-four years) Temple Academy for Boys, is preparing a memoir of his days at the school, intertwined with the troubling distractions of present events. As he navigates, with faltering recall, between the subtle anti-Semitism that pervaded the school's ethos and his fascination with his own family's heritage--in particular, his illustrious cousin, the renowned archaeologist Sir William Matthew Flinders Petrie--he reconstructs the passions of a childhood encounter with the oddly named Ben-Zion Elefantin, a mystifying older pupil who claims descent from Egypt's Elephantine Island.

Included alongside this wondrous tale, touched by unsettling irony and with the elusive flavor of a Kafka parable, are four additional stories in Cynthia Ozick's brilliant, distinctive voice, weaving myth and mania, history and illusion: The Coast of New Zealand, The Bloodline of the Alkanas, Sin, and A Hebrew Sibyl.

"I like the idea of a god who knows what it's like to be a twin. To have no memory of ever being alone."

Twin sisters Bibike and Ariyike are enjoying a relatively comfortable life in Lagos in 1996. Then their mother loses her job due to political strife, and the family, facing poverty, becomes drawn into the New Church, an institution led by a charismatic pastor who is not shy about worshipping earthly wealth.

Soon Bibike and Ariyike's father wagers the family home on a "sure bet" that evaporates like smoke. As their parents' marriage collapses in the aftermath of this gamble, the twin sisters and their two younger siblings, Andrew and Peter, are thrust into the reluctant care of their traditional Yoruba grandmother. Inseparable while they had their parents to care for them, the twins' paths diverge once the household shatters. Each girl is left to locate, guard, and hone her own fragile source of power.

Written with astonishing intimacy and wry attention to the fickleness of fate, Tola Rotimi Abraham's Black Sunday takes us into the chaotic heart of family life, tracing a line from the euphoria of kinship to the devastation of estrangement. In the process, it joyfully tells a tale of grace and connection in the midst of daily oppression and the constant incursions of an unremitting patriarchy. This is a novel about two young women slowly finding, over twenty years, in a place rife with hypocrisy but also endless life and love, their own distinct methods of resistance and paths to independence.

When we came to America, we brought anger and socialism and hunger. We also brought our demons.

"One of the most powerful voices in speculative fiction."--Catherynne M. Valente

In Burning Girls and Other Stories, Veronica Schanoes crosses borders and genres with stories of fierce women at the margins of society burning their way toward the center. This debut collection introduces readers to a fantasist in the vein of Karen Russell and Kelly Link, with a voice all her own.

Emma Goldman--yes, that Emma Goldman--takes tea with Baba Yaga and truths unfold inside of exquisitely crafted lies. In "Among the Thorns," a young woman in seventeenth century Germany is intent on avenging the brutal murder of her peddler father, but discovers that vengeance may consume all that it touches. In the showstopping, awards-finalist title story, "Burning Girls," Schanoes invests the immigrant narrative with a fearsome fairytale quality that tells a story about America that we may not want--but need--to hear.

Dreamy, dangerous, and precise, with the weight of the very oldest tales we tell, Burning Girls and Other Stories introduces a writer pushing the boundaries of both fantasy and contemporary fiction.

With a foreword by Jane Yolen

A young widow adheres to the expectations of wearing mourning clothes for nearly a year, though she's unsure what the traditions mean or whether she is ready to meet the world without their protection. An older sister returns home from a confusing time in America, only to explain at every turn why she's left the land of opportunity. A younger sister hides her sexual exploits from her family, while her older brother openly flaunts his infidelity.

The stories collected in Call and Response are strongly anchored in place - in the village of Serowe, where the author is from, and in Gaborone, the capital city of Botswana - charting the emotional journeys of women seeking love and opportunity beyond the barriers of custom and circumstance.

Gothataone Moeng is part of a new generation of writers coming out of Africa whose voices are ready to explode onto the literary scene. In the tradition of writers like Chimamanda Adiche and Jhumpa Lahiri, she offers us insight into communities, experiences and landscapes through stories that are cinematic in their sweep, with unforgettable female protagonists.

First published in Japan in 2003 and never before published in the United States, Dead-End Memories collects the stories of five women who, following sudden and painful events, quietly discover their ways back to recovery.

Among the women we meet in Dead-End Memories is one betrayed by her fiancé who finds a perfect refuge in an apartment above her uncle's bar while seeking the real meaning of happiness. In "House of Ghosts," the daughter of a yoshoku restaurant owner encounters the ghosts of a sweet elderly couple who haven't yet realized that they've been dead for years. In "Tomo-chan's Happiness," an office worker who is a victim of sexual assault finally catches sight of the hope of romance.

Yoshimoto's gentle, effortless prose reminds us that one true miracle can be as simple as having someone to share a meal with, and that happiness is always within us if only we take a moment to pause and reflect. Discover this collection of what Yoshimoto herself calls the "most precious work of my writing career."

An enthralling collection of new and classic tales of the fearsome Djinn, from bestselling, award-winning and breakthrough international writers.

Imagine a world filled with fierce, fiery beings, hiding in our shadows, in our dreams, under our skins. Eavesdropping and exploring; tormenting us, saving our souls. They are monsters, saviours, victims, childhood friends.

And they are everywhere. On street corners, behind the wheel of a taxi, in the chorus, between the pages of books. Every language has a word for them. Every culture knows their traditions. Every religion, every history has them hiding in their dark places.

There is no part of the world that does not know them. They are the Djinn.

With stories from Neil Gaiman, Nnedi Okorafor, Amal El-Mohtar, Catherine Faris King, Claire North, E.J. Swift, Hermes (trans. Robin Moger), Jamal Mahjoub, James Smythe, J.Y. Yang, Kamila Shamsie, Kirsty Logan, K.J. Parker, Kuzhali Manickavel, Maria Dahvana Headley, Monica Byrne, Saad Hossain, Sami Shah, Sophia Al-Maria and Usman Malik.

★ "The 70 short stories and poems that make up Brown's phenomenal debut collection (after the novella Grievers) explore social justice through an Afrofuturist lens...It's a masterful mix of genre and form that showcases Brown's range and skill. This should be required reading for anyone looking for Black feminist speculative literature."
--Publishers Weekly, starred review

Fables and Spells is a vibrant selection of visionary works, both previously published and brand new. Included here is brown's most beloved story, "The River," as well as the two sequel tales of her Water Trio. The remaining sixty-seven pieces explore moments of beauty, conflict, and transformation that also weave deep, radical lessons. With narrative "fables" of speculative fiction and "spells" that play with the lines between poetry, instruction, song, and chant, Fables and Spells demonstrates how good writing can engage the present while providing expansive visions of the possible worlds humans can build.

adrienne maree brown's previous work includes Octavia's Brood, Emergent Strategy, the New York Times best-selling Pleasure Activism, We Will Not Cancel Us, Holding Change, and Grievers. brown grows transformative ideas in public through her writing and art; she is a poet changing the world. She is the writer-in-residence at Emergent Strategy Ideation Institute.

A ferocious, innovative story collection about Black lives in the past, present, and future

"A potentially transformative exhibition of visionary storytelling."--Kirkus Reviews, *Starred*

In Fat Time and Other Stories, Jimi Hendrix, Francis Bacon, the boxer Jack Johnson, Miles Davis, and a space-age Muhammad Ali find themselves in the otherworldly hands of Jeffery Renard Allen, reimagined and transformed to bring us news of America in the twentieth and twenty-first centuries. Along with them are characters of Allen's invention: two teenagers in an unnamed big city who stumble through a down-low relationship; an African preachervisits a Christian religious retreat to speak on the evils of fornication in an Italian villa importedto America by Abraham Lincoln; and an albino revolutionary who struggles with leading his people into conflict.

The two strands in this brilliant story collection--speculative history and tender, painful depictions of Black life in urban America--are joined by African notions of circular time in which past, present, and future exist all at once. Here the natural and supernatural, the sacred and the profane, the real and fantastical, destruction and creation are held in delicate and tense balance. Allen's work has been said to extend the tradition of Ralph Ellison, William Faulkner, Henry Roth, and Ishmael Reed, but he is blazing his own path through American literature. Fat Time and Other Stories brilliantly shows the range and depth of his imagination.

Yet Fit for the Gods shows how these stories still have a power of metamorphosis that would impress Ovid. Brave, bold, and groundbreaking, the stories in Fit for the Gods will be like ambrosia for those craving fresh interpretations of their favorite myths, and give long-time fans a chance to finally see themselves in these beloved legends.